by Kenneth Farmer ‧ RELEASE DATE: Oct. 18, 2014
Keen, sobering account of how the legal system really works.
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As a public defender, a young lawyer fresh out of school learns how the legal system really works.
Television makes it look so easy. A smartly dressed lawyer comes up with a clever ploy or finds a key witness at the eleventh hour, snatching victory so that justice prevails. In reality, as Farmer’s novel illustrates in occasionally harrowing fashion, the American legal system is a hodgepodge of overworked public defenders, self-righteous judges and endless paperwork in which justice is often a happy accident. Law school lessons still dancing in his head, Paul Fields becomes a public defender in Louisville, Kentucky. He quickly gets disabused of his ivory-tower vision of the law as he descends into Kentucky’s Byzantine legal system and discovers how things actually work. Along the way, he picks up a girlfriend, Megan, who winds up helping him investigate a dandified judge nicknamed Lil’O and a crooked cop, who are running an illegal scheme from Acme Supply, a dirty company of which the judge is president. Meanwhile, in court, he has to contend with Heath, a smug prosecutor who cares only about advancing his political career. Farmer’s novel is an eye-opening, sometimes-uncomfortable trip through one state’s legal system that will make doubters out of anyone who naïvely thinks justice always triumphs. Farmer, a former public defender and prosecutor, clearly knows his way around the law, and the book rings with authenticity. The story moves along briskly, occasionally becoming too technical as Farmer lays on the legalese. He keeps the Lil’O case percolating on the back burner even as Fields becomes involved with other matters. Until he learns that “things are what they are” and that he can’t change them, Fields flounders at his job. What’s initially fascinating but ultimately disturbing is how rigged the American legal system is against the poor and downtrodden and how justice for them depends solely on their luck in getting a public defender who cares enough. Sadly, after reading this, one suspects that’s rarely the case.
Keen, sobering account of how the legal system really works.Pub Date: Oct. 18, 2014
ISBN: 978-1497520639
Page Count: 296
Publisher: CreateSpace
Review Posted Online: Dec. 29, 2014
Kirkus Reviews Issue: Feb. 15, 2015
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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