by Kenneth Grahame & developed by Bibliodome ‧ RELEASE DATE: May 28, 2012
Despite some room for improvement, this rendition lends itself equally to shared or independent reading and is likely to...
Though this adaptation of the classic cuts down on the original's more lyrical flights of fancy in favor of a closer focus on plot, the richly sentimental tone remains in full force.
Coming in at just under 200 golden-toned "pages" with chipped and discolored borders, North's abridgment drops some chapters (notably "Piper at the Gates of Dawn"), combines some others and simplifies Grahame's language without robbing it of its pastoral flavor. Nearly every other screen features a color or outline sketch illustration done in a distinctly Ernest Shepard–ish style—with, in most cases, the addition of touch- or tilt-sensitive animations. Enhanced by low-volume sound effects and snatches of music, these range from quick changes of expression and ripples in water to a wild, multiscreen motorcar joy ride and an image of Toad that can be clad in a variety of fetching dresses to expedite his escape from prison. The strip-index thumbnails are too small to be easily identifiable, but they do expedite quick skipping back and forth; less conveniently, there is no bookmarking. Furthermore, there is no audio narration, though links at the end do lead to complete print and sound versions of the classic.
Despite some room for improvement, this rendition lends itself equally to shared or independent reading and is likely to become as well-thumbed as it already looks. (iPad storybook app. 9-11)Pub Date: May 28, 2012
ISBN: N/A
Page Count: -
Publisher: Bibliodome
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
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by Chad Morris & Shelly Brown ‧ RELEASE DATE: Oct. 3, 2017
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by David Shannon ‧ RELEASE DATE: Sept. 1, 1999
The poster boy for relentless mischief-makers everywhere, first encountered in No, David! (1998), gives his weary mother a rest by going to school. Naturally, he’s tardy, and that’s but the first in a long string of offenses—“Sit down, David! Keep your hands to yourself! PAY ATTENTION!”—that culminates in an afterschool stint. Children will, of course, recognize every line of the text and every one of David’s moves, and although he doesn’t exhibit the larger- than-life quality that made him a tall-tale anti-hero in his first appearance, his round-headed, gap-toothed enthusiasm is still endearing. For all his disruptive behavior, he shows not a trace of malice, and it’ll be easy for readers to want to encourage his further exploits. (Picture book. 5-7)
Pub Date: Sept. 1, 1999
ISBN: 0-590-48087-1
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
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