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St. Joseph's College

UNIVERSITY OF ALBERTA

Although much of this book may not appeal to a general audience, its theme of Catholicism’s modern-day appeal in is a timely...

A comprehensive history of St. Joseph’s College at the University of Alberta, as told by an insider.

In his latest book, Munro (First Presbyterian Church, Edmonton: A History, 2006, etc.) explores the full history of St. Joseph’s from its inception in 1927 to the present. The college began as the brainchild of Archbishop Émile-Joseph Legal, who thought that French Jesuits would be a good fit to steward the new institution’s educational mission. However, it was Archbishop Henry Joseph O’Leary who ultimately brought that idea to fruition, recruiting the Christian Brothers to undertake the task. That decision proved fraught with difficulties, as they turned out to be unprepared to teach at the collegiate level and unsuccessful at attracting top students. After a group of alumni stirred up controversy, the Christian Brothers were compelled to leave and were replaced by the Basilian Fathers. Munro expertly handles his account of these transformative shifts, diligently tracking the college’s development over time. Much of his history looks at administrative details, especially with respect to the institution’s residency, chaplaincy, physical grounds, and recurring financial challenges. These sections will likely only interest those with an intimate connection to the college, or readers with a stake in learning how a new college establishes itself. The broader, more gripping context, though, involves the college’s core mission, which was the subject of intramural disputes for a considerable portion of its history. O’Leary envisioned St. Joseph’s not as a stand-alone college, but as an adjunct to secular University of Alberta; he understood it as a means to not only strengthen the faith of young Catholics experiencing a secular education, but also to provide a humanistic education that wasn’t obsessively geared toward future employment. This is how President Father Smith saw the college’s principal objective: “Father Smith realized how ironic it was that the more secular the western world became, the more vital the need for Catholic higher education.” More than just a history, this book is also an account of the Catholic Church’s desire to remain relevant to young people in a world that doesn’t always embrace ancient principles. Munro maintains an elegant, readable style, and every page is a testament to the love he clearly has for St. Joseph’s.

Although much of this book may not appeal to a general audience, its theme of Catholicism’s modern-day appeal in is a timely one.

Pub Date: Oct. 20, 2015

ISBN: 978-1-4602-7214-5

Page Count: 570

Publisher: FriesenPress

Review Posted Online: Dec. 15, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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