Highly charged personal stories coalesce into a frank disclosure about the “forced redirection of wayward teenagers.”
A look inside the “brutal” conditions of behavioral boot camps for adolescents.
When parents decide to send their troubled teenagers to wilderness treatment programs, they do so because they feel that they are out of options. Their kids, often angry, bored, or both, may be skipping school, abusing alcohol and drugs, or self-harming, and some may be facing jail time for minor crimes. Believing that time spent in the wilderness is a useful strategy for turning their children toward a better path, parents sign them up, and they are whisked away, often in the middle of the night. They are stripped of anything personal and then spend weeks hiking, learning survival skills, and eating inadequate food, far from anyone who knows or loves them. As Wired contributing writer Rosen explains through the eyes of four victims, these wilderness camps are largely unregulated, leaving windows of opportunity open for verbal, physical, and sexual abuse, nearly all of which goes unreported. Even after successfully completing their tasks and going home, the kids are often worse off than before they left, as they now have the added stress of their time in treatment. Himself a victim of such treatment, the author shares his personal story as well as the history and development of these profitable groups. The stories are enlightening and engaging even as they reveal the shady, often abusive tactics used to snap these troubled children into behaving in a way that society deems acceptable. This book is a necessary exposé for any parent who has considered sending their child to one of these camps. Rosen also gives voice to the thousands who have gone through these programs, and the text should be helpful in encouraging them to speak out about their experiences.
Highly charged personal stories coalesce into a frank disclosure about the “forced redirection of wayward teenagers.”Pub Date: Jan. 12, 2021
ISBN: 978-1-5420-0788-7
Page Count: 254
Publisher: Little A
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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