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MAKING WAR AT FORT HOOD

LIFE AND UNCERTAINTY IN A MILITARY COMMUNITY

A depressing yet enlightening account that mostly overcomes its academic jargon.

The chronicle of MacLeish’s (Medicine, Health and Society/Vanderbilt Univ.) immersion in the culture of Fort Hood, Texas, to understand daily life on military bases.

The author spent a year observing the rhythms of life and death at Fort Hood, a base with about 55,000 individuals, many of whom have returned to the United States from Iraq and Afghanistan. MacLeish expanded his doctoral thesis in this book, so the language is sometimes arcane, meant for a scholarly audience accustomed to authors devoting significant portions of a book explaining the methodology employed. Such clinical research can seem cold when set against an intentional culture of violence, in which the military troops are being trained to kill. MacLeish opens with a traumatized veteran called Dime, who resides near Fort Hood after experiencing the horrors of war in Iraq. Dime is receiving assistance for his various traumas, but MacLeish suggests that escaping the trauma is especially difficult when living near a military base, where war violence is anticipated and institutionalized—it is the norm, routine. The author ends with the mass killing on the base on November 5, 2009, when Army psychiatrist Nidal Malik Hasan opened fire inside the Fort Hood Soldier Readiness Processing Center. Notwithstanding the Hasan incident, the image of Fort Hood had been suffering because of the base’s recent highest-ever rate of suicide.

A depressing yet enlightening account that mostly overcomes its academic jargon.

Pub Date: Feb. 24, 2013

ISBN: 978-0691152745

Page Count: 280

Publisher: Princeton Univ.

Review Posted Online: Dec. 8, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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