A veteran White House correspondent gives mixed reviews to his colleagues and the powerful people on his beat. There are several problems with Walsh's chronicle of his ten years covering the presidency for U.S. News and World Report. Walsh remains on the beat and has been careful not to burn all his bridges. The result is a curious mix of unqualified criticism of people with whom he no longer has to deal (such as former Bush chief of staff John Sununu, whom Walsh accuses of ``arrogance and condescension''), and excuses for the mistakes of sources still to be tapped (such as Hillary Clinton, blamed for much of the administration's mishandling of the press but forgiven as an ``increasingly poignant figure''). Another problem is the danger of swift obsolescence in books attempting to be entirely up-to-the- minute. The danger for Walsh is compounded because nearly half of the book is devoted to the still-evolving Clinton presidency. And Walsh rationalizes the behavior of his press colleagues even as he concedes that ``the media's cult of conflict and criticism has gone too far.'' But there is also much to recommend this book. Walsh is a good reporter who has the quotes and citations to support his thesis that presidents who feed the White House press corps (the ``beast'') will be rewarded in kind. He attributes Reagan's long honeymoon with the press to the nurturing given journalists by a savvy staff. Clinton, on the other hand, has been punished for surrounding himself with people who distrusted White House reporters and treated them shabbily. Walsh describes the immense role personalities play in shaping the portrait of the presidency presented to the American people, and many observers of the press will find his revelations interesting. But one suspects that this book will become required reading only at the White House, where it will prove useful as a manual for staffers on the care and feeding of the media beast.

Pub Date: May 1, 1996

ISBN: 0-679-44290-1

Page Count: 320

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1996

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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