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ALONE IN THE VALLEY

Name: ALONE IN THE VALLEY
Author: Kenneth Waymon Baker
ISBN: 1-877946-17-6

by Kenneth Waymon Baker ‧ RELEASE DATE: Aug. 1, 1992

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First novel about an infantryman in Vietnam by a disabled Vietnam vet from Georgia. What immediately distinguishes this novel from others by writers like Larry Heinemann, Philip Caputo, or even Tim O'Brien is the touching naivetÇ of its young hero, Daniel Perdue. When we first meet him, he has just arrived in-country and is struggling manfully to comprehend what's going on. He's deeply offended by the constant, casual profanity of his fellow soldiers. When an artillery mission begins, he doesn't know it's friendly fire and drops to the ground in fear. As Baker puts it, Daniel ``was just one scared little boy trying his damndest not to look like a scared little boy.'' And while Daniel soon learns how to keep silent on patrol, how to identify punji sticks, and how to kill, he doesn't stop being a little boy, caught up in something monstrous, trying merely to survive. On the way through his tour, Daniel meets poor blacks, Hispanics, southern whites, and, of course, Vietnamese; Baker's way with dialogue is uncanny. No one here is cut out of cardboard, and there is no hatred in the book's tone, no swaggering, no politics. Daniel watches friend after friend die and is scarred and saddened forever; his loss of innocence is the fondest of tragedies. Yet there's a refreshing sweetness to Daniel, as in his long debate about whether to go with a prostitute. If he expects his future wife to be a virgin, which he does, then he should be, too. On the other hand, he might die before the sun sets, and he doesn't want to die pure. A well-written and unassuming debut novel whose very artlessness is its principle virtue. Though his voice is unique, Baker tells it exactly as it was.

Pub Date: Aug. 1, 1992

ISBN: 1-877946-17-6

Page Count: 296

Publisher: Permanent Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1992

Categories:

GENERAL FICTION

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MAGIC HOUR

by Kristin Hannah ‧ RELEASE DATE: March 1, 2006

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

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Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:

GENERAL FICTION

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THE CATCHER IN THE RYE

by J.D. Salinger ‧ RELEASE DATE: June 15, 1951

A strict report, worthy of sympathy.

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A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.