That each little pig thoroughly subverts gender stereotypes is simply icing on one perfectly delightful cake

PAUL & ANTOINETTE

Two sibling pigs who couldn’t be more different spend the day together.

Paul is a neatnik who loves to make “sure everything is sparkling and in its place.” Antoinette likes cleaning too, so long as it involves “licking the plates and sticky knives” after she’s made her Two-Taste Toasts. Paul’s idea of a good day is tweezing the parts of a model ship into place. Antoinette’s is finding dead birds, bugs, and beetles. When Antoinette finally hauls Paul outside, “he’s inspired to think deeply about Ikebana,” while she licks a snail, names it Edmond, and then tucks it into her pocket. Working in deeply hued watercolors, Kerascoët (duo Marie Pommepuy and Sébastian Cosset) creates an appealing, adult-free world, neatly expanding on their wry text. When Antoinette throws herself at what Paul sees as a “ferocious beast”—perhaps a bison, yeti, or werewolf—readers see an enormous, benign brown dog. Boisterous Antoinette has a perpetual (if ever changing) stain around her mouth; prim Paul wears glasses. It would be easy to paint Paul as an irredeemable prig, simply a foil to the dynamic Antoinette, but Kerascoët refrains, simply endowing each little pig with oodles of personality, however contrasting; Antoinette splashes in every mud puddle, while Paul leaps “elegantly over each” one. No matter the differences, the affection between the siblings is manifest.

That each little pig thoroughly subverts gender stereotypes is simply icing on one perfectly delightful cake . (Picture book. 4-8)

Pub Date: Oct. 29, 2016

ISBN: 978-1-59270-196-4

Page Count: 40

Publisher: Enchanted Lion Books

Review Posted Online: Sept. 5, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...

GRUMPY MONKEY

It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?

When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.

Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)

Pub Date: May 15, 2018

ISBN: 978-0-553-53786-4

Page Count: 32

Publisher: Random House

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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