This powerful work mixes an AIDS account with a history of a spouse’s scandalous behavior.

NEVER TURN YOUR BACK ON THE TIDE

(OR, HOW I MARRIED A LYING, PSYCHOPATHIC WANNABE-MURDERER AND KINDA LIVED TO TELL)

In this memoir, a writer chronicles his experiences during the AIDS crisis and his husband’s double life, revealing multiple affairs.

Edwards-Stout sets the tone of this book by sharing the story of reading his “civil-union” husband’s email in 2001 only to discover that he was planning to leave him for someone else. Readers will expect the sordid tale of this philandering husband, whom the author refers to as “Eyes,” to follow this opening scene. But the audience must wait for further revelations about Eyes. Instead, the author spends the first half of the memoir recounting growing up in Southern California as a gay man in the 1970s and trying to break into acting in Hollywood after dabbling in theater at UCLA. Telling tales of hobnobbing with stars from that period like Loni Anderson, Jennifer Beals, and Darren McGavin, Edwards-Stout also recounts meeting actors like Mariska Hargitay and Jack Black before they became famous. The author later turned into an activist, working for AIDS Project Los Angeles during the height of the health disaster. The chapters about caring for his lover Shane as he died from the disease in 1995 are the most poignant parts of the work. Edwards-Stout peppers his story with various “Life Lessons” he has picked up throughout his journey that also deftly display his sense of humor. For example: “Never underestimate the impact that walking into a gym shower, only to witness a former boss shaving his balls, can have.” The second part of the engrossing memoir finally divulges Eyes’ outrageous indiscretions: multiple affairs that had him switching out his wedding ring as well as fabricating chemotherapy treatments. The author actually offers two illuminating books here: the moving story of being a gay man in Los Angeles during the AIDS catastrophe and the shocking litany of betrayals by his husband, the father of their adopted son.

This powerful work mixes an AIDS account with a history of a spouse’s scandalous behavior.

Pub Date: Sept. 8, 2020

ISBN: 978-0-9839837-5-0

Page Count: 378

Publisher: Circumspect Press

Review Posted Online: April 25, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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