A dull protagonist, awkwardly presented.


Semi-autobiographical first novel by Moyer (Tumbling: Stories, 1998) depicts an army brat’s coming of age.

There’s little novelistic coherence or flow connecting the chapters (six of them previously published in literary reviews), which function as independent units chronicling discrete moments in the childhood and adolescence of Chester Patterson. Beginning with sixth grade, he tells us of episodes running through to 1965, when he turned 21. His good-humored, laid-back dad, also named Chester, is a captain with a desk job; his mom Betty, a Rita Hayworth lookalike, is a 1950s vamp with a small drinking problem; there’s also a kid sister, Janet. The Pattersons are as bland as a TV family of the period. As they move from Pennsylvania to Japan, Texas and Georgia, Chester slowly grows up, though we wait in vain for the happy jolt of an unexpected phrase or insight. He gets his first lesson in kissing from an obliging older cousin, Frenchie. Two years later, when he’s 15, she allows him to penetrate her briefly and experience calf love in all its glory. Another coming-of-age staple occurs when Chester encounters the school bully in Texas. There’s no glory here: Instead of establishing his manhood, he allows the bully to make off with his cowboy hat. Too often Chester is the bystander, watching his dad helping a woman give birth on the highway, or listening to the sad story of a beautiful young Pakistani bracing herself for an arranged marriage. His progression from conventional soldier’s son to disciple of the Beats is largely hidden from view. Just how far has Chester traveled? Though intellectually liberal, he has no problem joining a racially segregated fraternity in 1960s Illinois and entering enthusiastically into frat-house rituals. He’s just as schizophrenic in his romantic life; he artfully courts a stunning fellow student, then blows everything by behaving like an insensitive jerk. Chester still has a long way to go.

A dull protagonist, awkwardly presented.

Pub Date: Feb. 1, 2010

ISBN: 978-1-57962-194-0

Page Count: 232

Publisher: Permanent Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2009

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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