Ernestine is a sheer delight in this nostalgic, warm memory of a special time and a remote place.

ERNESTINE'S MILKY WAY

Ernestine lives on a farm in the Great Smoky Mountains.

Her father is away in “the war” (identified in an author’s note as World War II), and her mother is expecting twins very soon. Ernestine’s days are filled with chores, and at night there is warm milk and comfort in Mama’s assurance that Daddy is looking up and seeing the same stars they are viewing. When Mama assigns her the task of bringing two large mason jars of milk to a neighbor family, she is ready for the task. As she makes the trek she hears scary sounds and imagines dangerous animals lying in wait. She reassures herself by shouting her mantra, “I’m five years old and a big girl,” and each time discovers only small, benign creatures instead of fierce beasts. She drops one milk jar, which rolls away, but arrives safely at the neighbor’s home with the remaining one. The lost milk jar is found, containing a delightful surprise, and a joyous breakfast ensues. The author employs lovely lilting language to describe the rural setting. Descriptors of the path’s vagaries are repeated as Ernestine makes her way, taking readers along with her through the “valley of doghobble and devil’s walking stick.” Sutton’s brightly hued watercolor-and-ink illustrations effortlessly convey the time period, setting, and events, and they express Ernestine’s every emotion.

Ernestine is a sheer delight in this nostalgic, warm memory of a special time and a remote place. (recipe) (Picture book. 4-8)

Pub Date: March 5, 2019

ISBN: 978-1-5247-1484-0

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Nov. 26, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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A touching, beautifully illustrated story of greatest interest to those in the New York City area.

RED AND LULU

A pair of cardinals is separated and then reunited when their tree home is moved to New York City to serve as the Rockefeller Center Christmas tree.

The male cardinal, Red, and his female partner, Lulu, enjoy their home in a huge evergreen tree located in the front yard of a small house in a pleasant neighborhood. When the tree is cut down and hauled away on a truck, Lulu is still inside the tree. Red follows the truck into the city but loses sight of it and gets lost. The birds are reunited when Red finds the tree transformed with colored lights and serving as the Christmas tree in a complex of city buildings. When the tree is removed after Christmas, the birds find a new home in a nearby park. Each following Christmas, the pair visit the new tree erected in the same location. Attractive illustrations effectively handle some difficult challenges of dimension and perspective and create a glowing, magical atmosphere for the snowy Christmas trees. The original owners of the tree are a multiracial family with two children; the father is African-American and the mother is white. The family is in the background in the early pages, reappearing again skating on the rink at Rockefeller Center with their tree in the background.

A touching, beautifully illustrated story of greatest interest to those in the New York City area. (author’s note) (Picture book. 5-8)

Pub Date: Sept. 19, 2017

ISBN: 978-0-7636-7733-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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Action, clever humor, delightful illustrations and expectation-defying secret identities—when does the next one come out?

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THE PRINCESS IN BLACK

From the Princess in Black series , Vol. 1

Perfect Princess Magnolia has a secret—her alter ego is the Princess in Black, a superhero figure who protects the kingdom!

When nosy Duchess Wigtower unexpectedly drops by Princess Magnolia’s castle, Magnolia must protect her secret identity from the duchess’s prying. But then Magnolia’s monster alarm, a glitter-stone ring, goes off. She must save the day, leaving the duchess unattended in her castle. After a costume change, the Princess in Black joins her steed, Blacky (public identity: Frimplepants the unicorn), to protect Duff the goat boy and his goats from a shaggy, blue, goat-eating monster. When the monster refuses to see reason, Magnolia fights him, using special moves like the “Sparkle Slam” and the “Twinkle Twinkle Little Smash.” The rounded, cartoony illustrations featuring chubby characters keep the fight sequence soft and comical. Watching the fight, Duff notices suspicious similarities between the Princess in Black and Magnolia—quickly dismissed as “a silly idea”—much like the duchess’s dismissal of some discovered black stockings as being simply dirty, as “princesses don’t wear black.” The gently ironic text will amuse readers (including adults reading the book aloud). The large print and illustrations expand the book to a longish-yet-manageable length, giving newly independent readers a sense of accomplishment. The ending hints at another hero, the Goat Avenger.

Action, clever humor, delightful illustrations and expectation-defying secret identities—when does the next one come out? (Fantasy. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-0-7636-6510-4

Page Count: 96

Publisher: Candlewick

Review Posted Online: July 29, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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