A hilariously funny, compact volume about a hotel’s denizens that delivers well-aimed zingers—a winner.
In this comic novel, a young Midwestern woman moves to an eccentric residential hotel in New York City.
Heather Baumhauer, 27, fresh master’s degree in hand, has no intention of staying in her tiny hometown of Poubelle, Wisconsin: “I’m not going to spreadsheet my life away in snowmobile insurance.” She dreams of moving to New York, where she can meet people from other places and have exotic experiences like riding the subway, eating real bagels, and working in “Something just really international.” Desperate for affordable housing, Heather discovers The Zonderling, a residential hotel for women run by the Altruistic Army. The hotel bears some resemblance to the famous Barbizon (“In the world of New York boardinghouses, the Barbizon was an elegant, fashionable sorority house. The Zonderling was a scrappy Muppets’ Happiness Hotel”). Bathrooms are shared, electricity is sketchy, and few rooms have air conditioning—but the rent remains affordable, something of a miracle. A friendly resident named Jennifer Vang fills Heather and her new North Dakotan roommate, Emily, in on other Zonderling denizens: “Stinky Carrie and Porn Lisa, not to be confused with Normal Lisa,” for example, and the infamous Loretta, an elderly longtime resident who annoys everyone. Heather and Emily pursue employment and learn how to get along in New York, finally joining Jennifer to bring Loretta her richly deserved comeuppance. Niebruegge (Mistake, Wisconsin, 2014) is a gifted comedy writer, with the gems coming fast in this zippy novel. She deftly skewers New York types like “classic finance bros” or ventures like the Urban Woodsman Workshop, whose wooden toys are handcrafted upstate: “The toy manager called it ‘farm to playground.’ ” The novel explores the culture clash faced by Emily and Heather with insight as well as humor; it’s not that Midwesterners aren’t aggressive, but they “preferred hate-baking a cake without adding enough vanilla, and giving it to their nemesis with an I-hate-you smile.” Her portrait of The Zonderling, however zany, feels both affectionate and authentic, leaving readers wanting more.
A hilariously funny, compact volume about a hotel’s denizens that delivers well-aimed zingers—a winner.Pub Date: Nov. 30, 2015
ISBN: 978-0-9908710-3-3
Page Count: 170
Publisher: CreateSpace
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 15, 2016
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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