A triumphant sequel.
In a delightfully ridiculous continuation to Frog on a Log? (2015), when the bossy, rhyming cat announces where everyone must sit, the frog asserts a change in the rules.
Picking up from the first book’s last page, in which an amiable-looking basset is sitting on a frog, the nervous frog yells “HEY, DOG! GET OFF THE FROG.” Once again the know-it-all cat appears, restating the rules: “Cats sit on mats, / frogs sit on logs, / and dogs sit on FROGS!” But the frog protests and revises the rules to say “Dogs sit on logs, / and cats sit on gnats.” “OUCH!” exclaims the shocked cat. And so begins another round of cleverly silly statements about the proper seating of an assortment of different animals, insects, and even some fantastical beings (“dragons will sit on wagons,” and “canaries will sit on fairies”). All are assigned rhyming seating locations by the frog, whose ultimate revenge is a very comfortable lounge chair. The previous book’s winning layout is repeated, with boldly colored, opaque backgrounds hosting a bunch of surprised- or distressed-looking cartoon animals atop their ludicrously assigned perches. The fun of matching a nonsensical rhyme for each character will have kids shrieking with laughter as each new illustration is viewed. And new readers will swiftly acclimate to the repetitive pattern and smart vocabulary.
A triumphant sequel. (Picture book. 3-7)Pub Date: May 30, 2017
ISBN: 978-1-338-11695-3
Page Count: 32
Publisher: Scholastic
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
An ideal introduction to this familiar waterfowl—readers will enjoy diving right in.
Mallard ducks catch the attention of an observant young narrator. Join in on her day’s travels to learn a lot about these quacking creatures.
Quacks appear in graduated type from large to small to begin this informational gem. The daily activities of a young girl propel the easy-flowing language full of ducky details. Perfectly placed additional facts in smaller and similar-in-tone text are included on each spread. These seamless complements serve to explain unfamiliar terms such as “preening,” “dabbling” and “upending.” While Davies’ text gently informs, Rubbino’s mixed-media illustrations, done in a subdued palette of watery greens, grays and browns, truly impress. Mama ducks, drakes and ducklings alike hold the focus as they nest, search for food, swim, splash and sleep. The loose and childlike pictures capture essential details: the “secret patch of blue on each wing” and the “cute little curl on their tails.” At the end of the day (and book), readers find “The bridge is quiet, and there’s just the sound of rushing water and the stillness of the night.” But the page turn reveals another morning of “ducks—just ducks, down on the river that flows through the town.”
An ideal introduction to this familiar waterfowl—readers will enjoy diving right in. (index, note) (Informational picture book. 4-7)Pub Date: March 1, 2012
ISBN: 978-0-7636-5936-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
As brilliant as can be.
A sun, a flower, and a lion. They look similar, no?
Introduced in a wordless panel before the title page, the three figures bear at least two shapes in common. They’re also the same combination of warm yellow and (somehow just as warm) white, outlined in thick black line that pops against the muted yellow background. The text, divided into six short chapters, goes on to introduce the figures in isolation: “This is the sun. / Can you see it?” the narrator asks before going on to proclaim that the sun “is as bright as a flower.” When the flower is introduced, it’s compared to a lion. The lion? He isn’t compared to anything but instead smells the flower and warms himself in the sun. In the next chapter, the lion dreams that the flowers are sun-sized cookies. He wakes up hungry and runs home as fast as he can. Can readers spot him on the page? Using a vocabulary of fewer than 60 words and their variants—and a visual vocabulary of even fewer shapes and colors—Henkes creates an impeccably designed story that’s rewarding for toddlers and early readers alike. The repetitive structure and tone call to mind the playful simplicity of Mem Fox and Judy Horacek’s Where Is the Green Sheep? (2004). With imagination at its center, this participatory read-aloud also cleverly introduces the concept of simile (“It looks like a lion”) and metaphor (“The flowers are cookies”).
As brilliant as can be. (Picture book. 3-6)Pub Date: Sept. 22, 2020
ISBN: 978-0-06-286610-3
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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