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KARMA'S ENVOY

A promising first novel featuring an unlikely hero.

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A millennial gets caught up in the ripples of time travel in Houser’s complex sci-fi thriller.

In 2013, Todd Woodside shares a spacious apartment in San Francisco with his boyfriend, Jason. He’s not thrilled with his job as a medical researcher, but it helps to pay the bills. His comfortable life gets turned upside down, however, when, one morning, he wakes up in the body of an 8-year-old boy named Peter Bremer. He quickly realizes that scrawny Peter lives in a trailer with his schizophrenic mother in rural Oregon—and that the year is 1962. Todd’s strange new existence goes from bad to worse when Peter’s father is killed in a traffic accident. Jack Quinn, a local ne’er-do-well ex-convict, eventually marries Peter’s widowed mother. When Todd finally wakes up back in 2013, he hires a private eye to find out if the people he encountered in 1962 actually existed. He discovers that Peter and his mother died in a fire just after Christmas that same year. It turns out that Jack, who also murdered Peter’s best friend, Lloyd, started the fire, and when Todd ends up back in 1962 again, he resolves to kill Jack. However, that’s not as easy to accomplish as he’d hoped. Because of the butterfly effect of time travel, changes that Todd makes to the past could have unexpected consequences. In his debut novel, Houser creates a layered time-travel puzzle. He smartly makes Todd an atypical hero—one who’s spoiled, self-involved, and even a little lazy. As a result, the protagonist is forced to grow as a person when fate thrusts him into the role of Peter’s protector. Thanks to Houser’s effective past-and-present narrative structure, readers will sometimes find Todd’s journeys to be as jarring as he does; however, the author does supply dates at the beginning of each chapter to help orient his audience. As Todd grudgingly embraces his mission to take on Peter’s tormentor, the author presents a bittersweet tale that wraps up with a satisfying conclusion.

A promising first novel featuring an unlikely hero.

Pub Date: Aug. 9, 2018

ISBN: 978-1-64440-961-9

Page Count: 261

Publisher: Time Tunnel Media

Review Posted Online: Dec. 24, 2018

Kirkus Reviews Issue: Feb. 1, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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