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ARC OF JUSTICE

A SAGA OF RACE, CIVIL RIGHTS, AND MURDER IN THE JAZZ AGE

The way history should be written. (8 pp. b&w photos, not seen)

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A murder case in Detroit lies at the heart of labor scholar Boyle’s wide-ranging examination of race relations early in the 20th century.

One September evening in 1925, physician Ossian Sweet and his young family spent their first night in their new home on Garland Avenue, a previously all-white block four miles east of downtown. The very next evening, a crowd formed across the street from the Sweets’ bungalow, which now sheltered some volunteer defenders. Rocks were thrown, shots were fired from the house, and a white man lay dead. Boyle (History/Ohio State) meticulously tells the story of the Sweets, one family among the many who participated in the grand effort to do away with Jim Crow laws. The ’20s were the decade of the New Negro, the Harlem Renaissance, and the rise of the African Methodist Episcopal Church. The KKK’s Invisible Empire spread in response to black militancy, but the NAACP also grew, thanks to remarkable activists like James Weldon Johnson and William White. The Great Migration brought strivers by the thousands from oppression in Dixie to unexpected prejudice in the urban North, including the Motor City. Born and raised in Detroit, Boyle depicts the politics and people of the industrial metropolis, vividly evoking life in the city’s Black Bottom ghetto. He presents a balanced, considered portrait of Sweet, born in rural Florida, a graduate of Wilberforce University and Howard Medical School, and of other players in the drama. Along the way, he establishes an early tension that, after instruction in some African-American history, culminates in a classic courtroom drama starring the Great Defender himself, Clarence Darrow. Told with exemplary care and intelligence, this narrative chronicles inflammatory times in black and white America and pays tribute to those heroes who struggled to get Old Jim Crow where he lived.

The way history should be written. (8 pp. b&w photos, not seen)

Pub Date: Sept. 7, 2004

ISBN: 0-8050-7145-8

Page Count: 384

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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