by Kevin D. Miller ‧ RELEASE DATE: Aug. 9, 2019
An intriguing but uneven tale involving the murder of a patriarch.
This debut historical novel chronicles a boy’s journey from his childhood home to an orphanage and the chain of events that leads him to change his name.
Stanley William Puchalski’s mother wakes him early one fall morning in 1920 in Southington, Ohio, to send him on the most urgent errand of his life—fetch the sheriff to investigate his father’s murder. It seems that a group of men broke into the family’s farmhouse to steal some money and shot the boy’s father, George, in his bedroom. Things haven’t always gone smoothly on the family farm. George was a harsh taskmaster for all the hands working there, even his wife, Stella, and young Stanley as well as the boy’s brothers and sister. All their hard work made George a well-off patriarch, but he didn’t share the rewards. He got drunk constantly and subjected his family to endless bursts of violent abuse. As the oldest son, Stanley wished he could step in, but he was too young to stand against Papa’s fury. That fateful evening, the boy heard a sharp crack in the middle of the night. Once the police arrive, Stella’s story starts to make less and less sense. The timing’s off, the supposed thieves sound a lot like family relatives, and there’s no trace of their car leaving the farm. And when Stella is arrested for the murder of her husband, there’s no one left to take care of Stanley and his siblings. The kids are put in the County Children’s Home, an orphanage in an old mansion, and the cruel caretakers and older bullies make the place seem like little improvement over life on the farm. In this novel based on his family’s history, Miller writes about his grandfather in a dramatic, vivid manner and a shifting third-person perspective. The author offers readers a fast-paced, cinematic tale that covers Stanley’s travails—which include changing his last name to Miller at the age of 13 and working in a Chicago steel mill—rather than a sober, minutiae-filled biography. Unfortunately, the book’s descriptive style is sometimes overwrought, which makes the prose sound overenthusiastic (“Her wavy chestnut curls flow softly in the gentle breeze, kissed by the afternoon sunlight creating shimmers of auburn highlights in her hair”).
An intriguing but uneven tale involving the murder of a patriarch.Pub Date: Aug. 9, 2019
ISBN: 978-0-578-53161-8
Page Count: 232
Publisher: Bowker
Review Posted Online: Dec. 13, 2019
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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