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SPLIT-SECOND PERSUASION

THE ANCIENT ART AND NEW SCIENCE OF CHANGING MINDS

Entertaining and sometimes illuminating.

Psychologist Dutton (Research Fellow/Cambridge Univ. Faraday Institute; co-editor, Why the Science and Religion Dialogue Matters: Voices from the International Society for Science and Religion, 2006) unravels the evolutionary roots of the art of persuasion.

While it’s not exactly news that “the secret of good advertising lies…in its ability to get straight through to the emotion centers of our brains: primal, ancient structures that we not only share with but actually inherit from animals,” the author brings some surprising insights to this well-worked subject—e.g., the use of incongruity to distract attention, a tactic perfected by magicians. A good example of this tactic was the Avis rental-car ad in which they admitted that they were No. 2 in the business. Because the approach was unexpected, not only was it an attention grabber, but it aroused viewers’ interest in the product. Social conformity in humans—easily identifiable with herd behavior in animals—is tapped by the canned laughter use in sitcoms, but it can also be used in more subtle ways. Dutton cites the success of changing the traditional “please call now for more information” tag line of a commercial to “if operators are busy please call again.” Although it flags an inconvenience, it also suggests that the item is popular. In extreme cases, members of a cult can be induced to swallow the Kool-Aid, but social stereotyping can also operate more subtly, to lower the self-esteem of members of a minority population and affect their performance. The author describes an experiment, conducted by a professor at Vanderbilt University before and after President Obama’s election victory, which showed a significant improvement in the scores of African-American students as a group compared to Caucasian participants. The test was modeled on the GRE, in which racial stereotyping was deliberately evoked by asking participants to identify their race.

Entertaining and sometimes illuminating.

Pub Date: Feb. 3, 2011

ISBN: 978-0-15-101279-4

Page Count: 304

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Sept. 27, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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MASTERY

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...

Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.

The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.

Pub Date: Nov. 13, 2012

ISBN: 978-0-670-02496-4

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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