A gift for die-hard Garnett fans with less appeal for casual hoops fans and general readers.
The life and career of one of the NBA’s all-time greats.
Like many sports and celebrity memoirs, this one is a mixed bag. Early in the book, Garnett, writing with Ritz, admits to not being “the kind of dude who’s gonna kick back on the couch with a book for an hour or two.” Therefore, “I wanna write the kind of book I’d wanna read. I wanted to change it up, do it differently.” The kind of book Garnett, who has ADD, ADHD, and dyslexia, would want to read is encyclopedic in form: short entries that allow readers to experience reading as he does: “read a page or two, and then bounce.” In the same vein as Amy Krouse Rosenthal’s Encyclopedia of an Ordinary Life, this book challenges formal expectations while finally adhering to them. The narrative of Garnett’s life doesn’t run straight through the book, but it zigzags intuitively, rendered in candid prose rife with incomplete sentences. The encyclopedia entries read as if Ritz transcribed them from Garnett’s unscripted recordings. While the text captures the peerless intensity that Garnett displayed on the court, it can be exhausting to engage with for longer than the recommended “page or two.” However, there are exceptions that show the author’s wit—e.g., the entry, in full, for Wu-Tang Clan: “Ain’t Nuthing ta Fuck Wit”—and it’s refreshing when we encounter the thoughtful Garnett. Writing about retirement, for example, he notes, “I didn’t always like myself when I was playing. I was a different person. I transformed. I wasn’t Kevin….I don’t go around moping that I ain’t playing no more. I watch NBA games on TV with pleasure, not regret. I don’t fantasize about being out there.” It’s unfortunate that such self-reflection isn’t on display as much as one might expect from such an energetic, outspoken personality.
A gift for die-hard Garnett fans with less appeal for casual hoops fans and general readers.Pub Date: Feb. 23, 2021
ISBN: 978-1-982170-32-5
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Jan. 5, 2021
Kirkus Reviews Issue: Feb. 1, 2021
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A top-flight nonfiction debut from a unique artist.
The acclaimed director displays his talents as a film critic.
Tarantino’s collection of essays about the important movies of his formative years is packed with everything needed for a powerful review: facts about the work, context about the creative decisions, and whether or not it was successful. The Oscar-winning director of classic films like Pulp Fiction and Reservoir Dogs offers plenty of attitude with his thoughts on movies ranging from Animal House to Bullitt to The Texas Chainsaw Massacre to The Big Chill. Whether you agree with his assessments or not, he provides the original reporting and insights only a veteran director would notice, and his engaging style makes it impossible to leave an essay without learning something. The concepts he smashes together in two sentences about Taxi Driver would take a semester of film theory class to unpack. Taxi Driver isn’t a “paraphrased remake” of The Searchers like Bogdanovich’s What’s Up, Doc? is a paraphrased remake of Hawks’ Bringing Up Baby or De Palma’s Dressed To Kill is a paraphrased remake of Hitchcock’s Psycho. But it’s about as close as you can get to a paraphrased remake without actually being one. Robert De Niro’s taxi driving protagonist Travis Bickle is John Wayne’s Ethan Edwards. Like any good critic, Tarantino reveals bits of himself as he discusses the films that are important to him, recalling where he was when he first saw them and what the crowd was like. Perhaps not surprisingly, the author was raised by movie-loving parents who took him along to watch whatever they were watching, even if it included violent or sexual imagery. At the age of 8, he had seen the very adult MASH three times. Suddenly the dark humor of Kill Bill makes much more sense. With this collection, Tarantino offers well-researched love letters to his favorite movies of one of Hollywood’s most ambitious eras.
A top-flight nonfiction debut from a unique artist.Pub Date: Nov. 1, 2022
ISBN: 978-0-06-311258-2
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 31, 2022
Kirkus Reviews Issue: Dec. 1, 2022
SEEN & HEARD
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