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HUMPTY DUMPTY EGG-SPLODES

O’Malley throws a spanner in the Mother Goose works when he lets Humpty Dumpty snap and go on a rampage through the land of nursery rhymes. Here, the story is told by the father of a student who is plainly not of nursery-school age, so no holds are barred. As he tells it, while Mother Goose is away, Humpty Dumpty goes berserk from lack of respect. Old King Cole is sitting in for Mother Goose and though he is better known for his merriment than his brains, he tries to do what he can. The king throws what he’s got at the rampaging egg: Peter Piper’s pickled peppers, for instance, and the Duke of York’s 10,000 men, and Peter Pumpkin Eater’s pumpkin. The Muffin Man lends a hand, but it’s up to Humpty Dumpty to self-destruct, sort of, and in the process gain some of that cherished respect from the good folk of nurseryland. (Imagine Humpty as an Elvis impersonator and you get the idea.) Though O’Malley’s comic, high-octane artwork gives the proceedings an edge, there is nothing really vicious in these pages: “He found Jack Horner sitting in a corner. He stole his plum, Christmas pie and all,” is typical. And while O’Malley is busy sticking his finger in the eye of Mother Goose, he also pays homage to the timeless verses by weaving them directly into the text. As bratty as its intended audience, this poaches from the best scramblers. (Picture book. 6-10)

Pub Date: April 1, 2001

ISBN: 0-8027-8756-8

Page Count: 32

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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HOW TO WRITE A STORY

A lovely encouragement to young writers to persist.

This follow-up to How To Read a Story (2005) shows a child going through the steps of creating a story, from choosing an idea through sharing with friends.

A young black child lies in a grassy field writing in a journal, working on “Step 1 / Search for an Idea— / a shiny one.” During a walk to the library, various ideas float in colorful thought bubbles, with exclamation points: “playing soccer! / dogs!” Inside the library, less-distinct ideas, expressed as shapes and pictures, with question marks, float about as the writer collects ideas to choose from. The young writer must then choose a setting, a main character, and a problem for that protagonist. Plotting, writing with detail, and revising are described in child-friendly terms and shown visually, in the form of lists and notes on faux pieces of paper. Finally, the writer sits in the same field, in a new season, sharing the story with friends. The illustrations feature the child’s writing and drawing as well as images of imagined events from the book in progress bursting off the page. The child’s main character is an adventurous mermaid who looks just like the child, complete with afro-puff pigtails, representing an affirming message about writing oneself into the world. The child’s family, depicted as black, moves in the background of the setting, which is also populated by a multiracial cast.

A lovely encouragement to young writers to persist. (Informational picture book. 6-10)

Pub Date: July 7, 2020

ISBN: 978-1-4521-5666-8

Page Count: 36

Publisher: Chronicle Books

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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