A tender blend of sugary, buttery, and other complex flavors that’s baked with a tremendous dash of heart.
Summer love rises between two boys in a bakery.
High school may have ended, but Ari is stuck with sourdough starter at his family’s bakery instead of summer gigs in the city with his band. As his family’s money grows tighter, Ari feels tethered in place. His friends start to drift toward their own futures. But the future of their band—and their friendship—drifts toward uncertainty. Under the guise of recruiting another baker to take his place, Ari hires Hector. A culinary student in Birmingham, Hector has temporarily returned home to find closure after his Nana’s passing. The two grow close in more than just the kitchen. Ari, who hates baking, even starts to enjoy himself. But will it all last? Panetta and Ganucheau’s graphic novel debut is as much a love story between people as it is with the act of baking. Ganucheau’s art, in black ink with varying shades of blue, mixes traditional paneling with beautiful double-page spreads of detailed baking scenes, where the panels sometimes take on the shape of braided loaves. The romance between Ari and Hector builds slowly, focusing on cute interactions long before progressing to anything physical. Ari and his family are Greek. Family recipes referenced in the text code Hector as Samoan. Delicious.
A tender blend of sugary, buttery, and other complex flavors that’s baked with a tremendous dash of heart. (recipe, production art) (Graphic novel. 13-adult)Pub Date: Feb. 12, 2019
ISBN: 978-1-62672-641-3
Page Count: 368
Publisher: First Second
Review Posted Online: Nov. 24, 2018
Kirkus Reviews Issue: Dec. 15, 2018
BOOK REVIEW
Funny, heartfelt, and absolutely adorable.
A queer love triangle leads to an unexpected romance.
Belle Hawkins, high school senior and school mascot (she wanted a role where she didn’t have to show her face), finally finds the courage to ask out her crush, confident head cheerleader Regina Moreno. But she learns Gina already has a girlfriend, star athlete Chloe Kitagawa. Meanwhile, Gina has a Ten-Year Plan, and she refuses to let Chloe get them off track by failing her English class. Knowing Belle would be keen to please her, Gina gets her to tutor Chloe. Turns out, Belle and Chloe were friends when they were kids. As the school year progresses, Chloe and Gina’s relationship has its ups and downs, their friendships with Belle grow, and Belle’s romantic feelings change. With a palette of pink hues and strong black outlines, the cartoon art uses exaggerated elements for comedic effect and to cue heightened emotions. The three leads have well-developed personalities and are all lovingly imperfect and relatable. They are physically distinct with notably different body shapes, styles of gender expression, and ethnicities. Belle appears White and is cued Jewish, Chloe’s name implies Japanese heritage, and Gina is Brazilian American. Queerness is normalized, and the shifting dynamics of queer women between friendships and romantic partnerships are accurately depicted, making the happy ending believable. There’s enough conflict to propel the plot and give space for growth, but overall, this low-stakes tale feels like a warm, charming hug.
Funny, heartfelt, and absolutely adorable. (Graphic romance. 13-18)Pub Date: March 21, 2023
ISBN: 978-1-250-78412-4
Page Count: 320
Publisher: First Second
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
BOOK REVIEW
PERSPECTIVES
Will appeal to manga fans but raises questions around depictions of racialized material.
An illustrated reimagining of one of Shakespeare’s most memorable tragedies.
From the very beginning of this clever adaptation, effort is made to prioritize accessibility of both the manga form and the classic Shakespearean play: The frontmatter briefly highlights the reading direction of the panels, and characters are labeled when introduced, coming to life via a striking combination of early modern Venetian dress; quintessential manga hairdos and facial expressions; and pronounced linework. Like the rest of the series, this account of Othello remains faithful to the original. The black-and-white illustrations allow for Iago’s conniving manipulations to manifest visually as well as animating characters’ bigotry in impactful, distressing ways. However, there are shortcomings: Where the original text may use parentheticals and asides to progress the story, the occasional appearance of parentheses in speech bubbles are a distracting reminder that comics utilize storytelling tools that haven’t been fully adopted here. Likewise, panel after panel of Othello’s turn to violence and his enraged face obscured by shadow provide a poignant dramatic effect but seem to exacerbate prejudices inherent to both the play and medium. Not only is the titular character visually distinguished from other characters by his shading, hair, lips, and overall size, unfortunately neither Shakespeare nor the illustrator seem wholly prepared for a contemporary conversation regarding racial representation in one of literature’s most infamous depictions of othering.
Will appeal to manga fans but raises questions around depictions of racialized material. (adapter’s notes, character designs) (Graphic fiction. 13-18)Pub Date: May 25, 2021
ISBN: 978-1-947808-13-3
Page Count: 420
Publisher: Manga Classics
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
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