An impressive blend of a largely unseen preternatural being and the palpable horrors of war.

War Demon

VALLEY OF THE DJINN

Soldiers in Afghanistan believe the demon they’re confronting isn’t metaphorical but a real entity that’s stalking them in this thriller.

Nine months after returning to the United States from Afghanistan, Lt. Matt Slayton identifies the body of soldier Bobby Sweet, dead from an apparent suicide. Other men from Slayton’s platoon have had similar fates, like one injured in a shootout with Texas police, spurred by a road rage incident. The narrative flashes back to Slayton first arriving at Combat Outpost Victor as the replacement lieutenant for Second Platoon, Charlie Company. The soldiers’ duties include protecting locals from the Taliban, but it’s the platoon that locals blame when, following a gunfight with Taliban fighters, village elder Aboud is dead next to a few shell casings. It seems, however, that the platoon’s alleged culpability is more far-reaching: Aboud had been keeping an evil entity trapped in a cave—a shrine—and now that spirit is free. Soon soldiers are plagued with nightmares and unnerving events: Cpl. Dixon mutters in his sleep (“Bad Yoda,” his buddies call it), while Slayton hallucinates a Great Dane-sized camel-spider attack. Occurrences increase in frequency and ferocity (one involving claymores), and side effects from pills (for example, antimalarial) are certainly not the reason. Slayton may have to decide who the worst enemy is: the Taliban or a demon called Balulu. Ryan’s (Night Bird Calling, 2014) novel is wrought with tension, set almost entirely in Afghanistan, with Slayton and his platoon in perpetual danger from baddies human or otherwise. Balulu, though not always tangible, remains an unmistakable threat; even if merely a notion, Slayton and others start attributing incidents to the demon. This gives weight to the Taliban as equally formidable villains, especially with the narrative’s implication that Balulu is merely an agitator triggering an already existing mutual animosity. There’s a bevy of violence and, despite the high body count, several surprising deaths. But this substantial tale has a compassionate side: Slayton doesn’t easily get over his first kill, and interpreter Mehrdad becomes both a friend and sounding board for him. The protagonist, too, has bouts of insight: “Not all wounds are physical,” he aptly puts it.

An impressive blend of a largely unseen preternatural being and the palpable horrors of war.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: Nov. 25, 2016

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A short, simple, and sweet tale about two friends and a horse.

Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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A YA novel that treats its subject and its readers with respect while delivering an engaging story.

BROTHERS IN ARMS

BLUFORD HIGH SERIES #9

In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.

In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.

A YA novel that treats its subject and its readers with respect while delivering an engaging story.

Pub Date: Jan. 1, 2004

ISBN: 978-1591940173

Page Count: 152

Publisher: Townsend Press

Review Posted Online: Jan. 26, 2013

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