A solid blend of swoonworthy moments and minor injustices.
A dare sets up a gay teen with his school’s star athlete.
Kai never intended to come out of the closet—at least not until going off to college. But when detention presents a surprising opportunity, Kai kicks “the closet door open” and asks his classmate Bryson out. Because of a dare, Bryson must date a new person each week. He says yes to Kai. The catch? Each relationship only lasts from Monday until the final bell on Friday. Kai decides to keep everything a secret—even from his best friends, Priya and Donny. The more time Kai and Bryson spend together—rehearsing their drama scene, seeing their favorite band in LA—the more the boys’ fake relationship starts to feel very real. But will it last after Friday? Or will Bryson move on to the next dare date? Like Jenny Han’s To All the Boys I’ve Loved Before (2014), this #ownvoices debut is scrupulously romantic. The plot is deliciously heavy on fluff, but it also delves into more complex subjects like faith, racism, and homophobia. Kai’s lighthearted first-person narration and the lovable cast of characters keep the momentum going. Kai is mixed race, with a white mother and a biracial (black/white) South African dad who occasionally slips in Afrikaans phrases. Bryson, who is white, may be the poster child, but his questioning sexuality and family troubles add dimension.
A solid blend of swoonworthy moments and minor injustices. (author's note) (Fiction. 14-18)Pub Date: May 19, 2020
ISBN: 978-0-593-12603-5
Page Count: 336
Publisher: Random House
Review Posted Online: March 24, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
PERSPECTIVES
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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