by Kevin Waltman ‧ RELEASE DATE: Oct. 15, 2013
Like Derrick, this series is off to a promising high school career.
A kid who’s got the moves needs the smarts to go with them.
Derrick may be just 15 and only entering high school, but Division I and even NBA dreams are not unrealistic—but first he has to make the starting squad at Marion East, the mostly black high school in his inner-city Indianapolis neighborhood. This means impressing the coach that his uncle blames for scotching his own NBA dreams years earlier. Readers won’t be as surprised as Derrick is when he is not automatically named to the starting five or when the coach insists that he stop relying on his dunk and practice shooting from a distance—and start learning how to be part of a team. Resentful, Derrick considers transferring to snooty Hamilton Academy, where he’s being energetically recruited and where his underemployed father has been promised a full-time custodian job. Waltman’s series opener (first of a planned four) features plenty of basketball action fueled by hoops slang that will set basketball-mad readers right onto the court. Derrick’s easy, colloquial narration occasionally leaves the court for scenes at home, where his parents struggle to make ends meet, and in school, where he cluelessly woos the beautiful Jasmine. Waltman’s lovingly sketched Indianapolis lends the tale further authenticity. The author avoids slam-dunk answers, leaving readers poised for the next book.
Like Derrick, this series is off to a promising high school career. (Fiction. 12-18)Pub Date: Oct. 15, 2013
ISBN: 978-1-935955-64-1
Page Count: 216
Publisher: Cinco Puntos Press
Review Posted Online: Sept. 17, 2013
Kirkus Reviews Issue: Oct. 1, 2013
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by Mike Lupica ‧ RELEASE DATE: Sept. 4, 2012
A solid mix of character-driven realism and basketball action.
In a didactic but well-crafted sports story, a teen basketball phenomenon learns not to take his own superstar future for granted.
Not yet 16, Drew “True” Robinson has been treated like a star since some of his first forays onto the basketball court. When he spots a talented, solitary older player on his neighborhood court late one night, Drew thinks he's seen a ghost. What he's met is a cautionary tale: The man, who tells Drew to call him Donald, is a former basketball legend who lost everything when he became too invested in the hype surrounding him. When Drew too begins to make mistakes on the court, he seeks out Donald, haunted by the man's story. Like Donald, most characters function equally well as symbols and as people: Mr. Gilbert, the rich benefactor who treats Drew like a luxury commodity; Drew's teammate and best friend, Lee, content to pick up Drew's off-the-court slack for the good of the game. The clear message here is that young athletes should not let fame go to their heads, a case made so well by the story that Drew's continued arrogance and poor decision-making is sometimes difficult to believe.
A solid mix of character-driven realism and basketball action. (Fiction. 12-18)Pub Date: Sept. 4, 2012
ISBN: 978-0-399-25227-3
Page Count: 304
Publisher: Philomel
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Mark Peter Hughes ‧ RELEASE DATE: Nov. 13, 2012
The continuing, shambolic adventures of Rhode Island’s rockingest trumpet-and-ukelele–based quintet finds plenty of sweet to balance out the sour (Lemonade Mouth, 2007).
It’s summer, and although each of the band’s five members—Olivia, Charlie, Mo, Wen and Stella—have jobs, they compose and record new songs in their friend Lyle’s garage studio. Their performance at Cranston’s Chowder Fest attracts the attention of legendary agent Earl Decker, who tries to mold the group into a chart-topping indie phenom, paying for an expensive, moody photo shoot and studio time. He also secures them an audition on American Pop Sensation, where the gutsy teens stand up to the mean-spirited judges. When video of their judge-scolding incident—sure to inspire the many compulsive watchers of Simon Cowell to punch the air in solidarity—goes viral and combines with their philosophical objections to being Photoshopped in a sponsor’s ad, Lemonade Mouth fires Earl in favor of remaining true to their convictions. The band’s independent, quirky journey is conveyed through the diary entries, letters, transcribed interviews and screenplay excerpts that form the narrative—and that promise at least one more chapter in the band’s imaginary history.
Warmhearted and innocently wild, this stand-alone sequel will find appreciative fans among teen music obsessives and social activists. (Fiction. 12-15)
Pub Date: Nov. 13, 2012
ISBN: 978-0-385-73712-8
Page Count: 304
Publisher: Delacorte
Review Posted Online: Sept. 11, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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