Waltman continues to keep it both real and fresh for D-Bow.
It's junior year, and Division I schools are lining up to stake their claims to Indianapolis b-ball phenom Derrick Bowen.
D-Bow is certainly older and a little bit wiser than in his first two outings, Next (2013) and Slump (2014). He begins this year without irrepressible teammate Moose, now graduated, and beautiful and brilliant Jasmine is growing ever distant, eyes on her prize. Best friend Wes, too, is pulling away, hanging with bangers and blazing up, and little brother Jayson is withdrawing. On the bright side, there's the fiine Lia Stone, in whom D-Bow might find a balanced relationship. Readers who have followed D-Bow through his first two years at Marion East will find themselves slipping effortlessly back into his life, his candid, present-tense narration comfortably familiar. Punctuating the now-typical rhythms of his basketball season—tension with gruff coach Bolden, the realignment of the starting five with the new year, D-Bow's increasing responsibilities as a team leader, and, of course, lovingly described hoops action—are the letters and phone calls from college coaches eager to sign D-Bow's unquestioned talent. Though Waltman has given his protagonist enormous advantages, he doesn't make life easy on him; D-Bow's success is not assured, and both he and readers finish the year genuinely wondering if high-level college ball is really in his future.
Waltman continues to keep it both real and fresh for D-Bow. (Fiction. 14-18)Pub Date: Oct. 13, 2015
ISBN: 978-1-941026-26-7
Page Count: 216
Publisher: Cinco Puntos Press
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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