by Kieron Seamons & developed by Sandman Animation Studio ‧ RELEASE DATE: Feb. 28, 2013
But along with a spindly plot, the high level of cartoon pseudo-violence and the generic African setting only cause this to...
In a frantic frolic lit up by bright colors and raw physical comedy, an African king’s eager-to-please subjects oblige when he decides to play “cowboy.”
Looking like an orange tribble attached to a pipe-stem body, King Ra Ra enthusiastically dons boots, Stetson and carrot “guns” to become “probably the first Cowboy ever, in Africa.” Following his sudden collision with a tree after an ill-fated attempt to lasso a buffalo, his chortling animal subjects—a pink elephant, a purple giraffe and others with similarly unlikely hues—don silly cow costumes to give him safer targets. This they come to regret after King Ra Ra consults the Cowboy Handbook and learns about “branding,” but after seeing him shoot a derisive insect and fall on his own hot branding iron, all gather around in a final scene to fill a cooling vat with milk from their udders. “Everyone was happy in the jungle!!” The general ridiculousness of all this is enhanced by many tap-activated wriggles, giggles and growls in the cartoon scenes, as well as a particularly animated (optional) narrator who frequently departs from the printed text to deliver warnings or exclamations in a broad Swahili accent.
But along with a spindly plot, the high level of cartoon pseudo-violence and the generic African setting only cause this to bite the dust. (iPad storybook app. 6-8)Pub Date: Feb. 28, 2013
ISBN: N/A
Page Count: -
Publisher: Sandman Animation Studio
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by Mo Willems ; illustrated by Mo Willems
by Mo Willems ; illustrated by Mo Willems
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adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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