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The Seven Year King

A solid YA fantasy with moments of brilliance.

Hamilton (The Torn Wing, 2012, etc.) revisits the fantasy world of Faerie in the third book of her young-adult series.

Tiki, a 16-year-old former pickpocket, must accept her newly discovered destiny as the Seelie queen and become the leader of a world she doesn’t understand—and, quite frankly, doesn’t really want to rule. Her heart is back in London with her cobbled-together family of former street orphans, but now the entire future of Faerie is resting on her shoulders. When she discovers that a dear friend, Dain, has been kidnapped by the Unseelie king to be tortured and sacrificed, she and her lover, Rieker, must brave the secrets and dangers of Faerie to save him. At the same time, she tries to manage her duties as queen and spar with Larkin, a faerie with a suspicious agenda. Tiki and Rieker go deep into the nefarious politics of the Otherworld, but their creativity and bravery save the day. Despite Tiki’s courage in her quest to find her missing friend, her constant need for Rieker’s reassurance makes her appear somewhat weak and insecure. The novel’s suspense and action keep things moving, but its extensive reliance on back story sacrifices some of its intensity while providing very little character development. Tiki becomes more invested in her role as queen by the end of the story, but readers may find her evolution is too linear and one-dimensional. However, Hamilton’s layered, complex worldbuilding creates a marvelous landscape of both London and the Otherworld. The fantasy world’s lore is intriguing and well-conveyed, making it easy for readers to navigate as the story progresses. Hamilton’s prose also contains moments of pure, poetic beauty that ensnare the reader with their magic: “It’s like time is fractured….As if one foot is in the past, when this building was alive and full of people—and one foot in the future, left with only the memory of what has been.”

A solid YA fantasy with moments of brilliance.

Pub Date: May 7, 2013

ISBN: 978-1481247450

Page Count: 320

Publisher: Gaslamp Books

Review Posted Online: July 2, 2013

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TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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HIDDEN PICTURES

It's almost enough to make a person believe in ghosts.

A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.

Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.

It's almost enough to make a person believe in ghosts.

Pub Date: May 10, 2022

ISBN: 978-1-250-81934-5

Page Count: 384

Publisher: Flatiron Books

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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