A man finds himself in a baffling, dreamlike world of gods, archangels, and dragons in the first installment of Kildare’s fantasy series.
Cillian Rysgaard is hardly surprised by his physician’s diagnosis of dementia. But when the 86-year-old leaves the doctor’s office in Fargo, North Dakota, he seems to enter an entirely new world and to have a shockingly younger body. He initially encounters people who apparently know him, calling him a “champion” and speaking in various tongues like Gaelic and Latin. Certain that he’s dreaming, he accepts a mission from a wizened man who holds the ancient Roman title of “Imperator”; Cillian must slay a dragon, which first requires stealing a powerful, ancient sword. Unfortunately, Loki, the god of chaos, tricks Cillian into freeing him from captivity. A group of archangels (the seven remaining after wars in heaven) find Cillian and enlist his help in recapturing Loki, who has somehow “chosen” him. Accordingly, Cillian will be a spy for the archangels and try to learn Loki’s mysterious intentions. Nevertheless, as he continually awakens in strange places, Cillian still believes that what’s happening to him is occurring in a dream. But in a world of deadly creatures, a rampaging troll army, and an impending war, he may be better off acting as if his life is in genuine peril. Kildare jam-packs this opening installment with characters and exposition on topics from heavenly wars to Cillian’s childhood. Cillian is a savvy, sympathetic protagonist, a multilingual professor who misses his late wife. And while some of the abundant menaces are oft-discussed villains who don’t show up, it’s clear that the human race may be in danger. The author fills the pages with environmental details in a mostly sober narrative, save a charming Loki who makes a mean margarita. However, so much unfolds, especially with Cillian repeatedly waking up in new locations, that readers are likely to be as confused as the protagonist typically is. They may have to look for answers in sequels.
Creative and diverting; a massive amount of story, perhaps too much, for an opening volume.