Barnes writes poetically and intensely about personal conflict and subtly informs the reader about continuing Western...
When her husband Mason gets a job with Aramco, Oklahoman Gin McPhee moves from small-town life to a wider—and wilder—world of privilege, corruption and Middle Eastern geopolitics in the 1960s.
Raised by her strict Methodist grandfather after her parents died, Gin begins to define herself by an attitude of rebellion. One form this rebellion takes is to date Mason McPhee, the local Golden Boy, who quickly impregnates her in the back of a sedan. Although, much to their sorrow, the child dies, Mason does the honorable thing by marrying Gin and then, after briefly working on oil rigs in Oklahoma and Texas, accepts a position with Aramco in Abqaiq, Saudi Arabia. There, while Mason is working two-week shifts out in the desert, Gin finds herself getting acquainted with bored and blasé women such as Candy Fullerton, wife of the district manager, and Ruthie Doucet, who warns Gin about “uppity” houseboys and orients her about what behaviors women are not allowed to engage in outside the compound within whose walls they live. The rules include women not driving, not visiting the suqs and most of all, not going outside the gates alone. True to her rebellious nature, Gin begins to change in the exotic environment, befriending her “houseboy,” a mature man named Yash, as well as Abdullah, a Bedouin with a degree in petroleum engineering. At first Mason is content with his new job—or at least content with the money that comes with it—but soon he uncovers evidence of a corrupt scheme in which both Americans and Saudis are implicated. Stressed by what to do with this information, he finds his relationship with Gin deteriorating and then becomes implicated in the murder of a young Arabian woman.
Barnes writes poetically and intensely about personal conflict and subtly informs the reader about continuing Western misunderstandings of Middle Eastern culture.Pub Date: June 4, 2012
ISBN: 978-0-307-27339-0
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2012
Kirkus Reviews Issue: June 1, 2012
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
BOOK TO SCREEN
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