Talented people are the engines that power companies forward, argues human resources consultant Ruyle (FYI for Insight, 2010, etc.).
While Ruyle’s ideas on talent management aren’t new, he conveys them in a novel way: The book takes the form of a fictionalized journal written by “Jack,” an engineer-turned-businessman who just reaped a $70 million windfall from selling his stake in a composite parts manufacturing firm. Jack finds himself a reluctant passenger on a Caribbean cruise, so he uses the time to reflect on lessons he’s learned during his career. With an irreverent wit and no-nonsense practicality, Jack outlines the approach his company used to get the most from his employees. The journal presents a complete, interconnected system of talent management, from recruiting new employees to strategically deploying deep experts. Much-debated subjects such as “onboarding” and “succession-planning” are broken down into easy-to-follow lists, offering managers a template that can be tailored to their organizations. Sprinkled throughout the text are insights into the psychology behind human performance. Here, the book shines because these factors are often overlooked. Jack contends that “learning agility”—the willingness and ability to apply what is learned in one situation to another—is the “single most powerful predictor of success” for aspiring managers. Jack is really a composite of several executives whom Ruyle has encountered, so he has an enviable—some might say impossible—amount of leadership acumen. More could have been included about the onerous side of management, such as motivating and disciplining underperforming employees. While it can be classified under the heading of “Human Resources,” the book also says much about the role of a leader. Jack argues it’s the job of the CEO to spur innovation by creating an environment where employees can thrive. Talent is a source of competitive advantage too important to ignore.
Best practices shared via a catchy narrative, making for an indispensable guide for leaders who want to play the game and win.
Pub Date: July 17, 2014
ISBN: 978-0692223758
Page Count: 206
Publisher: Inventive Talent Consulting
Review Posted Online: Aug. 26, 2014
Kirkus Reviews Issue: Oct. 15, 2014
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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