Spellbinding and untraditional, this fantasy with a brave royal could teach Disney a few things about princess adventures.
A debut YA fantasy stars a princess who must venture forth into the world before she’s allowed to rule.
Princess Adriana of Ayrden has just turned 16. Traditionally, royals of the kingdom leave on a Journey during their 16th year, and if they return, they may someday rule. Adriana’s Teachers—in skills like fencing and archery—say that she’s ready to leave, but she may take only a minimum of food and no weapons. The royal Gifters, however, bestow upon her the traits of courage, fidelity, and kindness. With these qualities, along with her father’s advice that “when you are worried you will not make your best decisions,” she departs Ayrden on a horse named Sultan. She rides until reaching a clearing in the nearby forest. Strangely, no animals, including birds, enliven the scene. After a nap, she wakes to the sound of woodland calamity, as trees uproot and shift, eventually presenting her with three paths to choose from: one lined with gemstones, one limned in golden light, and another marked by simple grass. For the sake of Sultan, Adriana takes the prosaic grassy trail and finds herself in the land of Chehalem, where odd new friends and foes await. In her novel, Stump crafts a voluptuous, nuanced fantasy that fans of classics like Peter Beagle’s The Last Unicorn should enjoy. As Adriana explores each of the three routes, readers are treated to gorgeous sights and inventive sounds, like one scene in which “The walls of the ravine were green stone, and bright violet and amethyst flowers spilled down the steep embankments until they touched the water.” The prose nearly lulls a reader into believing Adriana’s Journey is all whimsy and self-discovery, yet dangers crop up (including lost uncles, slave traders, and dragons) that add grim shading to this multifaceted narrative. Certain magical elements, like how the forest changes shape, remain mysterious throughout, which allows Stump’s capable heroine and her accomplishments to carry more narrative weight.
Spellbinding and untraditional, this fantasy with a brave royal could teach Disney a few things about princess adventures.Pub Date: Aug. 14, 2016
ISBN: 978-0-9975914-0-8
Page Count: 330
Publisher: Foxcroft Publishing
Review Posted Online: Aug. 30, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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