Spellbinding and untraditional, this fantasy with a brave royal could teach Disney a few things about princess adventures.
A debut YA fantasy stars a princess who must venture forth into the world before she’s allowed to rule.
Princess Adriana of Ayrden has just turned 16. Traditionally, royals of the kingdom leave on a Journey during their 16th year, and if they return, they may someday rule. Adriana’s Teachers—in skills like fencing and archery—say that she’s ready to leave, but she may take only a minimum of food and no weapons. The royal Gifters, however, bestow upon her the traits of courage, fidelity, and kindness. With these qualities, along with her father’s advice that “when you are worried you will not make your best decisions,” she departs Ayrden on a horse named Sultan. She rides until reaching a clearing in the nearby forest. Strangely, no animals, including birds, enliven the scene. After a nap, she wakes to the sound of woodland calamity, as trees uproot and shift, eventually presenting her with three paths to choose from: one lined with gemstones, one limned in golden light, and another marked by simple grass. For the sake of Sultan, Adriana takes the prosaic grassy trail and finds herself in the land of Chehalem, where odd new friends and foes await. In her novel, Stump crafts a voluptuous, nuanced fantasy that fans of classics like Peter Beagle’s The Last Unicorn should enjoy. As Adriana explores each of the three routes, readers are treated to gorgeous sights and inventive sounds, like one scene in which “The walls of the ravine were green stone, and bright violet and amethyst flowers spilled down the steep embankments until they touched the water.” The prose nearly lulls a reader into believing Adriana’s Journey is all whimsy and self-discovery, yet dangers crop up (including lost uncles, slave traders, and dragons) that add grim shading to this multifaceted narrative. Certain magical elements, like how the forest changes shape, remain mysterious throughout, which allows Stump’s capable heroine and her accomplishments to carry more narrative weight.
Spellbinding and untraditional, this fantasy with a brave royal could teach Disney a few things about princess adventures.Pub Date: Aug. 14, 2016
ISBN: 978-0-9975914-0-8
Page Count: 330
Publisher: Foxcroft Publishing
Review Posted Online: Aug. 30, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Review Program: Kirkus Indie
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
