Not just militarists will react strongly to the provocative questions raised here about honor, duty and personal...

THE LAST BLUE MILE

Ponders, whose background as a Desert Storm combat veteran informed her first novel (The Art of Uncontrolled Flight, 2005), turns her attention to the Air Force Academy in this timely, realistic fiction about sexual and religious politics within the institution.

Brigadier General John Waller has been pulled from flying duty to straighten up the Academy after a rape scandal, but expectations that his new position as Commandant of Cadets will help win him his second star quickly begin to fizzle. First the Academy’s ambitious superintendent resists his suggestion to expel a well-connected cadet who has been caught cheating. Then Waller has trouble controlling the rabid proselytizing of the Cadets Christian Fellowship (CCF). Meanwhile, idealistic Brook Searcy begins her career as a cadet with new friends, handsome Billy Claymoore and charismatic Mac Cherry, an army general’s son who happens to be Jewish. Brook also finds herself increasingly drawn to jaded Paula Snowe, the cheat, who takes the three cadets to a drinking party. The next day, Mac fatally crashes his glider during a solo flight. When traces of alcohol are found in his blood—as well as in Paula’s, Billy’s and Brook’s—Waller faces a new crisis that is not helped when the CCF makes inflammatory comments concerning Mac’s religion. Waller, who had previously noted a mechanical problem in the glider Mac crashed, begins to re-examine the foundation of his past career just as Brook, rocked by Mac’s death and a disillusioning sexual encounter with Billy, begins to question her future. Brook’s and Waller’s moments of truth intersect as Waller saves her from a foolish lapse in judgment while accepting the private failure behind his public success. Ponders takes a while to set up the situations, but once the plot gathers steam, it drives fast and hard.

Not just militarists will react strongly to the provocative questions raised here about honor, duty and personal responsibility.

Pub Date: June 1, 2007

ISBN: 0-06-084706-9

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2007

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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