In Sanders’ debut novel, renowned photographer Samantha Jennings loves her camera and solitude, but when she’s accused of murdering her lover, only the man who broke her heart 10 years earlier can save her.
Sanders’ romantic thriller leans more to the romance side of this hybrid-genre story, but the strong characters and story make this an enjoyable read from beginning to end. Samantha “Sam” Jennings records the world around her in her photography, but retreats to her dog and secluded beach home in South Carolina whenever possible. After having been accused of murdering her lover—in a crime of passion no less—she’s managed to elude press and police. But she ventures out of hiding to tell her side of the story, to let the judge know it’s all a big mistake, that she’d never kill her best friend, Ben. Sam’s courtroom appearance brings the press and a past she’s been trying to avoid for over 10 years; Caleb broke 17-year-old Sam’s heart one summer, and she’s been running away from him, and love, ever since. Now, he’s a famous attorney on the fast track to a promising political career—and the only man who can save Sam. She resists his help at first, but puts aside her pride and anger when she realizes Caleb will defend her as no other man can. As they try to find the real murderer to clear Sam, their passion rekindles, but the real murderer may separate them forever. This story oozes all the necessary passion of any good romance novel, a blend of deep betrayal and sensuality. The author keeps the story moving and the sweltering Southern romance hot. A few bumps in the logical progression of the mystery make the story a little less believable, but as a romance, the book hits all the right moments. Sanders also strikes a nice balance between the mystery and romance. Sometimes the story reads like it’s moving through a romance genre checklist, but the story slides by quickly thanks to Sanders’ strong writing. The romance enthusiast won’t be disappointed with this novel that never skimps on passion or story.
Pub Date: Oct. 4, 2011
ISBN: 978-1463731274
Page Count: 256
Publisher: N/A
Review Posted Online: Oct. 31, 2011
Kirkus Reviews Issue: Nov. 15, 2011
Review Program: Kirkus Indie
BOOK REVIEW
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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