by Kim Williams Justesen ‧ RELEASE DATE: Oct. 15, 2013
Teens with a little patience will be drawn into Mike’s struggle to keep going after death has changed everything.
The only thing worse than having your father die unexpectedly is having your mother claim custody of you, or so it feels to Mike.
Michael, almost 16, lives happily with his divorced father in a coastal North Carolina town, running a successful charter fishing business and sharing an easy give-and-take as they work side by side. Mike is pleased when Dad announces his plan to marry longtime girlfriend Maggie. But on the way back from buying a ring, Dad is killed by a drunk driver, and suddenly, Mike finds himself dealing with profound grief, the agonizing steps of planning a funeral and the terrifying prospect that his long-estranged mother might try to take him away from Maggie. Justesen hits the emotional points perfectly, using first-person narration to reveal Mike’s impressive powers of observation and his puzzlement over his own unfamiliar behavior. The novel takes place over the course of about a week, from ring to accident to custody hearing, with solemn pacing and little action until the gripping courtroom scenes. (The cartoonish depictions of Mike’s mentally ill mother and her sweaty lawyer are the book’s weak spots.) A scene in which Mike gets naked (but doesn’t have sex) with his girlfriend is touching rather than spicy.
Teens with a little patience will be drawn into Mike’s struggle to keep going after death has changed everything. (Fiction. 12-16)Pub Date: Oct. 15, 2013
ISBN: 978-1-933718-90-3
Page Count: 275
Publisher: Tanglewood Publishing
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by Patricia McCormick ‧ RELEASE DATE: May 8, 2012
Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers...
A harrowing tale of survival in the Killing Fields.
The childhood of Arn Chorn-Pond has been captured for young readers before, in Michelle Lord and Shino Arihara's picture book, A Song for Cambodia (2008). McCormick, known for issue-oriented realism, offers a fictionalized retelling of Chorn-Pond's youth for older readers. McCormick's version begins when the Khmer Rouge marches into 11-year-old Arn's Cambodian neighborhood and forces everyone into the country. Arn doesn't understand what the Khmer Rouge stands for; he only knows that over the next several years he and the other children shrink away on a handful of rice a day, while the corpses of adults pile ever higher in the mango grove. Arn does what he must to survive—and, wherever possible, to protect a small pocket of children and adults around him. Arn's chilling history pulls no punches, trusting its readers to cope with the reality of children forced to participate in murder, torture, sexual exploitation and genocide. This gut-wrenching tale is marred only by the author's choice to use broken English for both dialogue and description. Chorn-Pond, in real life, has spoken eloquently (and fluently) on the influence he's gained by learning English; this prose diminishes both his struggle and his story.
Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers will seek out the history themselves. (preface, author's note) (Historical fiction. 12-15)Pub Date: May 8, 2012
ISBN: 978-0-06-173093-1
Page Count: 224
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: April 15, 2012
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by Patricia McCormick ; illustrated by Iacopo Bruno
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by Sarah Arthur ‧ RELEASE DATE: Jan. 30, 2024
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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