And although her attempt to build suspense is weak, the author’s description of the beautiful Australian coastline will...
Freeman’s romance (Wildflower Hill, 2010) weaves together the stories of two women, separated by a century, who finally move to embrace their futures.
When Isabella Winterbourne accompanies her wealthy husband on a voyage from England to Australia in 1901, she’s still grieving the death of their infant son a few years earlier. She despises her authoritarian husband, Arthur, and his family, renowned for their jewelry empire. The couple is accompanying a piece of great value, a jewel-encrusted gold mace, which was commissioned by the queen as a gift for the Australian Parliament. But the ship sinks off the Australian coast during a storm, and Isabella is the only survivor. She saves the chest that contains not only the mace, but a small bracelet she’s hidden there, the only remaining memento of her son. Barely alive when she reaches Lighthouse Bay, she’s cared for by Matthew, the lighthouse keeper, who buries the mace after Isabella retrieves the bracelet. Isabella, desperate to travel to America to be with her sister, adopts an alias to avoid detection and finds work as a nanny for a local family whose son was born on the same date as her late child. She hopes to earn enough money for her passage, but her plans are delayed. In a slightly less interesting account and over 100 years later, Libby Slater, distraught over the death of her married lover, returns to her hometown and settles into a cottage adjacent to the same lighthouse that once was a haven to Isabella. Libby’s dead lover, Mark, was Arthur Winterbourne’s great-grandnephew. Her sister, Juliet, runs a B&B nearby, but the two are estranged because of a tragedy that occurred 20 years earlier. Libby’s unsure about her future, but she accepts work from Mark’s widow and considers an offer that would make her quite wealthy, a proposal she knows will put her at further odds with her sister. Smoothly transitioning between the two tales, Freeman establishes a believable link between Isabella and Libby and allows each storyline to play out to a reasonable resolution.
And although her attempt to build suspense is weak, the author’s description of the beautiful Australian coastline will linger with readers long after they finish the book.Pub Date: April 9, 2013
ISBN: 978-1-4516-7279-4
Page Count: 432
Publisher: N/A
Review Posted Online: Jan. 20, 2013
Kirkus Reviews Issue: Feb. 1, 2013
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
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