Suzanne David’s father always said, “Obey the rules and no one gets hurt.” But when their French town of Cherbourg is bombed, her neighbor is killed, the Nazis take over, and her family is turned out of their house, whose rules does she obey? When one of the few black families in Cherbourg disappears, Suzanne says to her Papa, “I thought Hitler only hated Jews. I didn’t know he hated black people too.” “Now you do,” he replies. It is this growing awareness, step by step, that leads to Suzanne’s involvement in the French Resistance, becoming number 22, and relaying messages essential to the planning of the D-Day invasion. Based on Bradley’s interviews with the real Suzanne, this is an exciting account of a girl’s coming of age in a scary time. The historical context is neatly woven into the story, so readers will learn about Dunkirk, the fall of Paris, Vichy France, Charles de Gaulle, and D-Day. A terrific companion to Gregory Maguire’s The Good Liar, but for an older audience. (Fiction. 10-14)
Pub Date: May 13, 2003
ISBN: 0-385-72961-8
Page Count: 192
Publisher: Delacorte
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: May 1, 2003
Categories: TEENS & YOUNG ADULT HISTORICAL FICTION
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Yep illuminates the Chinese immigrant experience here and abroad in a follow-up to The Serpent's Children (1984) and Mountain Light (1985).
After accidentally killing one of the hated Manchu soldiers, Otter (14) flees Kwangtung for the "Golden Mountain"; he finds his adoptive father Squeaky and Uncle Foxfire in the Sierra Nevada, where thousands of "Guests" are laboriously carving a path for the railroad. Brutal cold, dangerous work, and a harsh overseer take their toll as Squeaky is blinded in a tunnel accident, Foxfire is lost in a storm, and other workers are frozen or half-starved. By the end, toughened in body and spirit, Otter resolves never to forget them or their sacrifices. Foxfire and Otter consider themselves only temporary residents here, preparing for the more important work of modernizing their own country while ridding it of Manchu, Europeans, and, especially, the scourge of opium. America is a dreamlike place; English dialogue is printed in italics as a tongue foreign to most of the characters; and though Otter befriends the overseer's troubled son, such social contact is discouraged on both sides. In a story enlivened with humor and heroism, Yep pays tribute to the immigrants who played such a vital role in our country's history.
Explanatory note; reading list. (Fiction. 11-14)Pub Date: Oct. 30, 1993
ISBN: 0-06-022971-3
Page Count: 276
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Nov. 1, 1993
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BOOK REVIEW
BOOK REVIEW
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 21, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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