Suzanne David’s father always said, “Obey the rules and no one gets hurt.” But when their French town of Cherbourg is bombed, her neighbor is killed, the Nazis take over, and her family is turned out of their house, whose rules does she obey? When one of the few black families in Cherbourg disappears, Suzanne says to her Papa, “I thought Hitler only hated Jews. I didn’t know he hated black people too.” “Now you do,” he replies. It is this growing awareness, step by step, that leads to Suzanne’s involvement in the French Resistance, becoming number 22, and relaying messages essential to the planning of the D-Day invasion. Based on Bradley’s interviews with the real Suzanne, this is an exciting account of a girl’s coming of age in a scary time. The historical context is neatly woven into the story, so readers will learn about Dunkirk, the fall of Paris, Vichy France, Charles de Gaulle, and D-Day. A terrific companion to Gregory Maguire’s The Good Liar, but for an older audience. (Fiction. 10-14)
Pub Date: May 13, 2003
ISBN: 0-385-72961-8
Page Count: 192
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
A lovely story, rendered in spare prose by a major writer of historical fiction, Rinaldi’s (Girl in Blue, 2001, etc.) tale takes place in Georgia in 1864. Written in first-person flashback as a plainly told narrative set down at the request of Clara Barton, the main character tells us, it describes 13-year-old Eulinda Kellogg’s attempts to make herself “come true.” Eulinda, a house slave at a plantation close to the infamous Andersonville prison camp for Union soldiers, is the daughter of the plantation’s owner. Though this fact is known to all, including the master’s mean-spirited second wife, the owner has never legally acknowledged Eulinda. Her older brother has run away to join the Union forces—and may, in fact, be imprisoned at Andersonville—and a beloved younger one has been sold. A chance meeting with a man who offers her a role in helping to set the horrors of Andersonville to rights—that is, to bury the Union dead honorably and to turn it into a monument—provides Eulinda with the chance to do something important and meaningful with her life. There is much hard work to be done in this effort, and Eulinda encourages other freed blacks to help her clean and rebuild the place; in addition, as an educated young woman, she paints epitaphs so that all the fallen may be properly memorialized. In the process, she comes to meet and become secretary to Clara Barton, renowned in real life by this time as a champion of the rights of freed slaves and of the effort to pay tribute to the soldiers treated horribly at Andersonville. Eulinda is a beautifully realized character. She speaks plainly but always from the heart, and readers will be swept along by the drama and the history. The author provides a fascinating afterword in which she sets the facts and the many real-life characters in the novel in context and includes a bibliography featuring titles about Barton, Andersonville, and the Civil War. (Fiction. 10-14)
Pub Date: April 1, 2001
ISBN: 0-7868-0533-1
Page Count: 176
Publisher: Disney-Jump at the Sun
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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