by Kimberly O. Scanlon ‧ RELEASE DATE: May 24, 2019
An exceptional parenting book with clear-cut applications.
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Scanlon (Gratitude Journal for Kids, 2019, etc.), a pediatric speech-language pathologist, presents a guide to help parents understand, analyze, and enhance their children’s language development.
Learning one’s native tongue is an integral part of childhood—and one that often worries parents. Scanlon has created a rich handbook and workbook to give parents “competence and confidence” in language instruction. She begins by educating readers about early childhood language in order to show parents what to expect from their children and thus select appropriate “target words” for them. The author also provides four work sheets, designed to quickly analyze a toddler’s current level of language learning and determine directions for future growth. The next section is vital, as it lays out eight techniques to elicit first words (such as “Pause in Anticipation” and “Imitate, imitate, imitate”) as well as tips on creating a language-rich environment. Parents may already be employing some of these techniques on their own, but Scanlon effectively demonstrates each one to give readers clear notions of her language-enriching tools. The ideas for creating a language-rich environment, such as “hanging interesting pictures, postcards, maps, or photographs on walls…and chatting about them,” seem particularly beneficial. Finally, Scanlon provides a 30-day workbook that includes weekly planning sections and reviews and simple, repeated questions for each day, such as “What three things did I do today to encourage my toddler’s first words?” and “What will I do tomorrow to stimulate or further develop my toddler’s first words?” Throughout, the author draws heavily on peer-reviewed research, yet she always makes the material easy to comprehend. The tone is consistently positive and encouraging even when the author discusses touchy topics, such as limiting screen time. Lastly, the work’s intuitive organization and creative formatting make it a comfortable reading experience.
An exceptional parenting book with clear-cut applications.Pub Date: May 24, 2019
ISBN: 978-1-978371-90-3
Page Count: 146
Publisher: CreateSpace
Review Posted Online: July 10, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Review Program: Kirkus Indie
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written and illustrated by Kimberly O. Scanlon
by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by David Hajdu ; illustrated by John Carey
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