THESE SILENT WOODS

In a desperate move to keep his child, a father goes off the grid.

Finch and her father, Cooper, (not their real names) have spent eight years—Finch’s entire childhood so far—occupying a remote cabin on a large swatch of forested land in an unidentified, presumably northern state. Grant’s second novel sets out to explore how they got there and how they might get out. This chronicle of life in a rustic dwelling with no indoor plumbing and no electricity is an engrossing lesson in survivalism. Cooper and Finch’s whereabouts are known to only two people: their reclusive neighbor, known as Scotland, and the cabin’s owner, Jake, Cooper’s buddy from a tour of duty in Afghanistan. (Jake was severely wounded by an IED but survived thanks to Cooper.) Once a year, Jake brings supplies, and when the novel opens, father and daughter await his imminent visit. They are fugitives from a system that would have taken Finch, then an infant, away from Cooper after Cindy, his wife-to-be and Finch's mother, died in a car crash. Cindy’s parents always considered Cooper beneath her. Effectively orphaned, Cooper was raised by a loving but eccentric aunt, and the Army was his sole hope of bettering himself. Finch's thoroughly unsympathetic maternal grandparents enlisted social services to remove her from Cooper's care. How Cooper managed to extract Finch is the major delayed reveal, while Jake’s failure to appear with his delivery is the plot’s inciting nonincident. A trip to a faraway Walmart is a huge risk but necessary—winter is coming. Scotland has had an unnerving habit of stealthily stopping by. Finch has bonded with Scotland (also a veteran, of Vietnam), but his motives seem suspect. With the arrival, separately, of two strangers, the challenge of disappearing in today’s world becomes starkly apparent, as does the flimsiness of the novel’s premise.

Soulful, meditative, and sad—but marred by an improbable final twist.