Next book

HALF-TRUTHS AND BRAZEN LIES

AN HONEST LOOK AT LYING

Yes, sometimes lies grease the wheels—“society would collapse if we told the truth all the time,” say some experts. You...

We all lie. We can’t help it.

It is a wide, wide, wide, wide world of fibbery out there. “It’s central to human nature,” writes Vermond in this intuitively clear survey of the good, bad, and ugly manifestations of lying. A lie is a falsity with the intent to deceive. The thing is, and this is the beauty of Vermond’s approach, there really is no gray area: we know bad lies when we speak them, and there are many kinds. There are cheating, plagiarism, forgery, and wild exaggeration, but there are also instances of lying to be kind or polite, or to be outrageous all in fun, and “most people agree that lying is justified if something terrible would happen otherwise.” (Yes, sir, Anne Frank is up in the attic.) So, clearly, not all lies are immoral or unethical, quite the opposite. Don’t rely on body language or polygraphs to out a lie, both of which are often mistaken. A society relies on trust, writes Vermond, a generalized trust, because most people are honest most of the time. Hammer’s comic-strip–style artwork aptly conveys a kind of agelessness to the proceedings, making it clear that lying is a timeless phenomenon.

Yes, sometimes lies grease the wheels—“society would collapse if we told the truth all the time,” say some experts. You wouldn’t want that to happen, so let Vermond be your guide. (Nonfiction. 10-14)

Pub Date: April 15, 2016

ISBN: 978-1-77147-146-6

Page Count: 48

Publisher: Owlkids Books

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2020


  • New York Times Bestseller


  • IndieBound Bestseller


  • Asian/Pacific American Award for Literature Winner


  • Newbery Medal Winner

Next book

WHEN YOU TRAP A TIGER

Longing—for connection, for family, for a voice—roars to life with just a touch of magic.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2020


  • New York Times Bestseller


  • IndieBound Bestseller


  • Asian/Pacific American Award for Literature Winner


  • Newbery Medal Winner

A young girl bargaining for the health of her grandmother discovers both her family’s past and the strength of her own voice.

For many years, Lily’s Korean grandmother, Halmoni, has shared her Asian wisdom and healing powers with her predominantly White community. When Lily, her sister, Sam—both biracial, Korean and White—and their widowed mom move in with Halmoni to be close with her as she ages, Lily begins to see a magical tiger. What were previously bedtime stories become dangerously prophetic, as Lily begins to piece together fact from fiction. There is no need for prior knowledge of Korean folktales, although a traditional Korean myth propels the story forward. From the tiger, Lily learns that Halmoni has bottled up the hard stories of her past to keep sadness at bay. Lily makes a deal with the tiger to heal her grandmother by releasing those stories. What she comes to realize is that healing doesn’t mean health and that Halmoni is not the only one in need of the power of storytelling. Interesting supporting characters are fully developed but used sparingly to keep the focus on the simple yet suspenseful plot. Keller infuses this tale, which explores both the end of life and coming-of-age, with a sensitive examination of immigration issues and the complexity of home. It is at one and the same time completely American and thoroughly informed by Korean culture.

Longing—for connection, for family, for a voice—roars to life with just a touch of magic. (Fiction. 10-14)

Pub Date: Jan. 28, 2020

ISBN: 978-1-5247-1570-0

Page Count: 304

Publisher: Random House

Review Posted Online: Sept. 28, 2019

Kirkus Reviews Issue: Oct. 15, 2019

Next book

HOW LAMAR'S BAD PRANK WON A BUBBA-SIZED TROPHY

This stands out for its unusual setting and smooth integration of friendship and family concerns. (Fiction. 10-14)

Sucked into "business" with a crooked classmate, bowling fanatic Lamar Washington makes good money faking his skills, but when a disruptive prank reveals his new friend Billy’s duplicity, he realizes how wrong it was to aim to be “the smoothest baddest dude” in Coffin, Ind. 

This refreshing first novel is told in the first person with plenty of snappy dialogue by a smart African-American middle-schooler whose asthma has kept him out of the usual sports and whose older brother, a basketball star, consistently taunts him. Lamar’s new friendship threatens both a longstanding one and a promising new relationship with a girl. Tension mounts as Lamar is drawn further into an unsavory gambling world, realizing that his cheating is wrong but thrilled to have the cash to buy a Bubba Sanders bowling ball. A final, seriously physical fight with his brother leads to climactic arrests. The drab rigidity of Camp Turnaround, where Billy is incarcerated, contrasts with the excitement of the bowling alley Lamar loves. His grounding and community service seem appropriate. His understanding of the consequences of his prank fire alarm, both for his brother and for his basketball-mad small town, comes slowly and realistically, and the solution of his family issues is satisfying. 

This stands out for its unusual setting and smooth integration of friendship and family concerns. (Fiction. 10-14)

Pub Date: Feb. 22, 2011

ISBN: 978-0-06-199272-8

Page Count: 288

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Jan. 10, 2011

Kirkus Reviews Issue: Jan. 15, 2011

Close Quickview