An attractive addition to the nature shelf.
Rhyming couplets introduce birds one might see in spite of winter snows.
Hall describes behaviors that help 17 species survive cold winters. She begins and ends with the blue jays familiar to readers east of the Rockies: a pair that takes peanuts from a feeder to hide for later and then, in spring, builds a nest for a new generation. In between she introduces a broad range of birds, some residents and some with shorter seasonal migrations that end in parts of the U.S. that are cold and snowy. Carolina wrens, snow geese, black-capped chickadees, American tree sparrows, downy woodpeckers, and northern cardinals are birds whose winter ranges span much of the country; common redpolls, snow buntings, black rosy-finches, Atlantic puffins, Bohemian waxwings, ruffed grouse, great gray and snowy owls, and golden crowned kinglets frequent only small parts. Readers are quite unlikely to encounter an ivory gull stealing its winter food from polar bears! Desmond’s double-page spreads show the birds beautifully, and they include important details about their appearances, their usual numbers, and their environments. Predominantly done in muted tones with lots of black, white, and shades of gray, they have spots of color when appropriate. Where the bird’s sounds aren’t included in the poem, they’re worked into the images. Hall’s skillful poetry reads aloud well, making this a solid candidate for small-group storytime even where the birds—or even the snow—aren’t familiar. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at 81.6% of actual size.)
An attractive addition to the nature shelf. (further information) (Informational picture book/poetry. 4-8)Pub Date: Nov. 3, 2020
ISBN: 978-1-4197-4203-3
Page Count: 40
Publisher: Abrams
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
Pass.
The traditions and history of one of Mexico’s most important holidays are introduced in this latest of Eliot’s Celebrate the World series.
From setting up the flower-festooned altars to decorating the calaveras, the preparations depicted involve entire communities over several weeks. Characters in cowboy hats, sombreros, and baseball caps place the final touches on skeletons in full lucha libre regalia or spangled mariachi outfits. However, instead of accurately using Mexico’s name for the holiday, Día de Muertos, Eliot uses the English back-translation, “Día de los Muertos,” as is common in the U.S. even though the story evidently takes place in Mexico. Also, aside from stating that the celebration “is an ancient tradition,” there is no mention of its Indigenous, pre-European/Christian roots nor does the book actively distinguish between Día de Muertos and Halloween. The first-person narration vacillates between child and adult perspectives. “We do all this to celebrate the beauty of life and death rather than mourn it.” Gutierrez’s mixed-media illustrations are convulsive, crowded panes of frenetic activity. Exaggerated facial features border on stereotypical caricatures—snouts and bug eyes abound. Contributing to the crowded page design is the unfortunate choice of board rather than picture-book format. Consequently, the initial perception is that this series is geared toward toddlers, when it is the school-age child who would most benefit from the information in this book.
Pass. (Board book. 4-7)Pub Date: July 24, 2018
ISBN: 978-1-5344-1515-7
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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