by Kirstin Valdez Quade ‧ RELEASE DATE: March 23, 2015
Quade is a writer to watch.
Debut collection of stories set in New Mexico from an award-winning writer.
Family ties—and family fissures—play a significant role in each piece. Catholic faith and practice are also prominent. In “The Five Wounds,” a perennially unemployed and generally defeated man prepares to play the role of Jesus in a Passion play while trying to deal with his pregnant teenage daughter. Although the symbolic resonances are heavy, Quade’s plainspoken style and mordant sense of humor save the story from bathos: “Thirty-three years old, the same as Our Lord, but Amadeo is not a man with ambition. Even his mother will tell you that.” Indeed, many of these stories illuminate a world in which religious belief gives shape to everyday reality. “Ordinary Sins”—previously published in The New Yorker—features another unwed, expectant mother negotiating a religious world in which women have no authority. Corpus Christi celebrations provide a climactic turning point in “Nemecia,” the strongest story in the collection and the one that gained entry into Best American Short Stories 2013. Quade offers readers a door into worlds that are likely unfamiliar, and she gives them the gift of letting them find their own ways. She doesn’t bother to describe, for example, the society of flagellants that has existed in New Mexico—just beneath the official notice of the church—for centuries, nor does she explain the different worldviews and doctrinal positions of an American priest and his more conservative African colleague. But while she grounds her stories in a specific cultural setting, Quade offers visions of family that have universal resonance. In “Mojave Rats,” a young mother is outsmarted and overwhelmed by her 7-year-old daughter, and her recognition of this fact does nothing to change it.
Quade is a writer to watch.Pub Date: March 23, 2015
ISBN: 978-0-393-24298-0
Page Count: 288
Publisher: Norton
Review Posted Online: Jan. 21, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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by Helen Oyeyemi ‧ RELEASE DATE: March 8, 2016
For all the portentous metaphors (keys and locks appear in every story) and all the convoluted and fabulist narrations,...
These nine casually interlocking stories, set in a familiar yet surreal contemporary world, overflow with the cerebral humor and fantastical plots that readers have come to expect from Oyeyemi (Boy Snow Bird, 2014).
The opener, "Books and Roses," sets the tone: stories within stories and a fittingly cockeyed view of Gaudi’s architecture as two women in Barcelona share their experiences in abandonment while searching for the loved ones who left them behind. Most of the volume takes place in England, with nods toward Eastern Europe. In " 'Sorry' Doesn’t Sweeten Her Tea," weight-loss clinician Anton becomes increasingly involved in raising his boyfriend’s two adolescent daughters, Aisha and Dayang, while fishsitting for a traveling friend. The story seems straightforward until Anton’s friend falls in long-distance love with a mystery woman who's entered his locked house without a key and Anton’s co-worker Tyche helps Aisha recover from a crisis in disillusionment by casting a spell from the Greek goddess Hecate. Tyche returns as a student puppeteer in "Is Your Blood as Red as This?," which layers creepy echoes of Pinocchio onto realistically genuine adolescent sexual confusion. Readers realize Tyche’s fellow students Radha and Myrna have ended up sexually happy-ever-after when they pop up in "Presence" to lend their shared apartment to a psychologist so she and her grief-counselor husband can carry out the ironically eponymous science-fiction experiment that forces the psychologist to accept the absences in her life. While Aisha appears as a filmmaker employing puppets in "Freddy Barrandov Checks…In?," Dayang stars as ingénue in "A Brief History of the Homely Wench Society," a post-feminist romantic comedy about warring men's and women’s societies at Cambridge. Several stories are pure fairy tale, like "Dornicka and the St. Martin’s Day Goose," a twisted take on "Little Red Riding Hood,” and "Drownings," in which good intentions defeat a murderous tyrant.
For all the portentous metaphors (keys and locks appear in every story) and all the convoluted and fabulist narrations, Oyeyemi’s stories are often cheerfully sentimental.Pub Date: March 8, 2016
ISBN: 978-1-59463-463-5
Page Count: 304
Publisher: Riverhead
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Ken Liu ‧ RELEASE DATE: Feb. 25, 2020
A mixed bag of stories: some tired but several capable of poetically piercing the heart.
Science fiction author (The Wall of Storms, 2016) and translator (The Redemption of Time, Baoshu, 2019) Liu’s short stories explore the nature of identity, consciousness, and autonomy in hostile and chaotic worlds.
Liu deftly and compassionately draws connections between a genetically altered girl struggling to reconcile her human and alien sides and 20th-century Chinese young men who admire aspects of Western culture even as they confront its xenophobia (“Ghost Days”). A poor salvager on a distant planet learns to channel a revolutionary spirit through her alter ego of a rabbit (“Grey Rabbit, Crimson Mare, Coal Leopard”). In “Byzantine Empathy,” a passionate hacktivist attempts to upend charitable giving through blockchain and VR technology even as her college roommate, an executive at a major nonprofit, fights to co-opt the process, a struggle which asks the question of whether pure empathy is possible—or even desired—in our complex geopolitical structure. Much of the collection is taken up by a series of overlapping and somewhat repetitive stories about the singularity, in which human minds are scanned and uploaded to servers, establishing an immortal existence in virtuality, a concept which many previous SF authors have already explored exhaustively. (Liu also never explains how an Earth that is rapidly becoming depleted of vital resources somehow manages to indefinitely power servers capable of supporting 300 billion digital lives.) However, one of those stories exhibits undoubted poignance in its depiction of a father who stubbornly clings to a flesh-and-blood existence for himself and his loved ones in the rotting remains of human society years after most people have uploaded themselves (“Staying Behind”). There is also some charm in the title tale, a fantasy stand-alone concerning a young woman snatched from her home and trained as a supernaturally powered assassin who retains a stubborn desire to seek her own path in life.
A mixed bag of stories: some tired but several capable of poetically piercing the heart.Pub Date: Feb. 25, 2020
ISBN: 978-1-982134-03-7
Page Count: 432
Publisher: Saga/Simon & Schuster
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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by Hao Jingfang ; translated by Ken Liu
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by Ken Liu
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by Hao Jingfang ; translated by Ken Liu
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