by Kitty Kelley ‧ RELEASE DATE: Aug. 13, 2013
Fine photos, concise text, including excerpts from remarks of the day, and a solid view of the Kennedy administration...
Fifty years later, a stirring evocation of the 1963 March on Washington.
“We are not a pressure group; we are not an organization or a group of organizations; we are not a mob. We are the advance guard of a massive moral revolution for jobs and freedom.” With these words, A. Philip Randolph opened the historic day of nonviolent protest that drew some 300,000 people of all races and religions to the nation’s capital for a march from the Washington Monument to the Lincoln Memorial. They included civil rights notables Roy Wilkins, John Lewis and Walter Reuther; celebrities from Marlon Brando to Rita Moreno and Dennis Hopper; and ordinary citizens from throughout the country. They hoped to sway Congress to pass comprehensive civil rights legislation. In this welcome celebration of an event that has passed into American memory, Kelley (Capturing Camelot: Stanley Tretick's Iconic Images of the Kennedys, 2012, etc.) puts words to previously unpublished images by veteran photographer Tretick to tell the story of the gathering, from the arrival of black and white marchers by the busload to the famously moving “I Have a Dream” speech by Martin Luther King Jr. Readers can see the passion and pride in the faces on these pages, the joy of people cooling their feet in the Reflecting Pool, and, with a little effort, they can almost hear the cries from the crowd of “Amen, brother, Amen!” at the words of speaker after speaker. The book will be a nostalgia trip for all who lived through the period and a perfect introduction to a seminal moment for younger generations.
Fine photos, concise text, including excerpts from remarks of the day, and a solid view of the Kennedy administration dragged into the American future.Pub Date: Aug. 13, 2013
ISBN: 978-1-250-02146-5
Page Count: 176
Publisher: Dunne/St. Martin's
Review Posted Online: June 16, 2013
Kirkus Reviews Issue: July 1, 2013
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by Kitty Kelley ; photographed by Stanley Tretick
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by Kitty Kelley photographed by Stanley Tretick
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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