HOW TO FAKE IT IN SOCIETY

A newly rich Englishman is introduced to the ton by a fake French count.

Titus Pilcrow is happy with his simple life as an “oil and colourman”—he makes paints and is well-regarded for it. That changes when he makes a delivery to the wealthy Miss Whitecross, one of his best customers. After a suspicious accident, she’s on her deathbed, and proposes they marry immediately so Titus can be her heir. As he’s in a difficult financial position, he agrees. After Miss Whitecross dies, it’s not long before people begin grasping for a piece of Titus’ fortune. Most are just selfish and pushy, but one new acquaintance, the Comte de La Motte, has an intriguing story. He was Miss Whitecross’ fiancé before Titus was, but even though he lost out on her fortune, he seems content to simply help Titus become accustomed to his new station. Unbeknownst to Titus, though, the Comte is neither French nor nobility. He is actually Nico, a con artist of sorts, albeit a kind one, desperate to help his cousin pay off her underworld debts. As Nico introduces Titus to London’s finest merchants and helps him figure out his new social status, an attraction develops, and after it tips into physical intimacy, feelings of love follow. But with Nico’s identity still a secret, among other obstacles, such a dream may be out of reach. Charles has been a consistently excellent writer of queer historical romance for years, and this one more than meets her own high standards. Titus and Nico’s relationship is both sweet and steamy—and it’s well-balanced against a darker subplot that adds intrigue. The real-world historical details are especially interesting, including the Affair of the Diamond Necklace—a key incident in Marie Antoinette’s downfall—as an important plot point, as well as several fascinating glimpses into how paints, pigments, and poisons were derived and used in that era. A dramatic ending will leave readers satisfied.

A suspenseful and colorful gay Regency romance.