Together with its companion, stimulating portraits of two colorful, driven historical figures.
The life and eye-widening feats of a showman who was “always hungry for adventure, challenges, fame, and success.”
Warning would-be imitators away as needed (“Absolutely Do Not Try This!”) Poskitt offers an animated account of Houdini’s career and lifelong devotion to topping his own seemingly impossible tricks and escapes, punctuating it with explicit side explanations of how many of them were done. Along with helpful diagrams and cutaway views, Ford adds frequent depictions of gobsmacked crowds, despairing rivals, and scenes of the “very strong and very bendy” performer hung about with shackles or posing with his closely knit family. (With the exception of the occasional child of color in a contemporary scene, characters depicted are white.) In line with the series premise and overall informal tone, the author refers to him throughout as “Harry” (his stage name). Andrew Prentice does likewise for his free-spirited subject in the co-published Amelia Earhart (illustrated by Mike Smith), taking “Amelia” (or, in childhood chapters, “Millie”) from homemade backyard roller coaster to final disappearance. Both profiles open with fictive but revealing introductory exchanges, and both focus as much on conveying the distinctive characters of their subjects as on their public achievements. Prentice adds a closing gallery of renowned women aviators, from African-American Bessie Coleman to Jerrie Mock, who, like Earhart, was white.
Together with its companion, stimulating portraits of two colorful, driven historical figures. (timelines, glossaries, reading lists) (Biography. 10-12)Pub Date: Aug. 13, 2019
ISBN: 978-1-4197-3862-3
Page Count: 160
Publisher: Abrams
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A portrait of a courageous and admirable young voice for change—but no substitute for the book that is its major source.
A cursory introduction to the Pakistani teenager who earned international attention (and a Nobel Peace Prize nomination) after surviving a Taliban gunman’s assassination attempt.
Doeden draws largely from Yousafzai’s 2013 autobiography and a handful of news reports to craft his account. He explains how she, as the eldest daughter of a dedicated founder of girls schools in Pakistan and co-author (at the age of 11) of a personal blog sponsored by the BBC Urdu, became a public face for Muslim girls’ education—and therefore a Taliban target. Silenced only temporarily by a bullet to the head in 2012, she has gone on not only to become an even more vocal advocate for equal (not to say any) education, but to challenge President Barack Obama face to face about the use of military drones in her country. It’s a straightforward account geared to those who aren’t ready to tackle longer, richer resources. Most of the cramped color photos, and all of the unhelpful pull quotes, serve to fill space more than anything else.
A portrait of a courageous and admirable young voice for change—but no substitute for the book that is its major source. (map, endnotes, bibliography) (Biography. 10-12)Pub Date: Oct. 1, 2014
ISBN: 978-1-4677-4907-7
Page Count: 48
Publisher: Lerner
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
A fine introduction to a musical icon.
Silvey examines the life of Pete Seeger, whose folk music and social activism brought both worldwide acclaim and a decade of government persecution.
Born into a privileged family in 1919, Pete attended boarding schools from third grade, isolated from his divorced parents and family. He read voraciously and incubated his interests in the outdoors, journalism, art, and music; a high school teacher introduced him to the banjo. After dropping out of Harvard, Seeger pursued a winding path that included performing children’s concerts and cataloging folk music at the Library of Congress. The straightforward narrative chronicles Pete’s musical arc—from hardscrabble touring with Woody Guthrie and the Almanac Singers to the phenomenal success of the Weavers, who introduced Americans to folk and world music. Silvey links Seeger’s music with his commitment to social causes, from workers’ rights and civil rights to the antiwar and environmental movements. She skillfully illuminates Seeger’s 10-year ordeal during the tenure of the House Un-American Activities Committee. Surveilled, blacklisted, subpoenaed, arrested, tried, and convicted, the former Communist Party member was vindicated on appeal in 1962. Silvey’s afterword frankly acknowledges Seeger as a personal hero, avowing that her biographer’s neutrality was trumped by her research into Seeger’s unjust treatment by the FBI and HUAC.
A fine introduction to a musical icon. (photographs, quotation source notes, bibliography, index) (Nonfiction. 10-12)Pub Date: Aug. 2, 2016
ISBN: 978-0-547-33012-9
Page Count: 112
Publisher: Clarion Books
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
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