by Klaas Verplancke & illustrated by Klaas Verplancke & translated by Helen Mixter ‧ RELEASE DATE: Aug. 1, 2012
Reminiscent of Where the Wild Things Are in its visual transformations and emotional intensity, but with a more present and...
“My daddy has warm hands. His fingers taste like applesauce. I wish he had a thousand hands.”
Spare of words but rich in feeling, this love note tracks some ups and downs but circles back to an attachment so warm and close that only the stoniest of hearts will remain unaffected. Tagging along as his father washes up in the morning, sacks out in front of the television after some vigorous outdoor play and then goes on into the kitchen to peel apples, the young narrator makes contented comments about dad’s hands, muscles and stomach (“soft as a pillow”). When an unspecified offense brings on “thunder daddy,” though, the miffed lad heads for “the forest of Other-and-Better”—a staircase, in the pictures, that transforms into a dense, dark forest of trees with shouting mouths—in search of a nicer parent. The scary experience drives him back into the kitchen where dad, who had himself transformed into a hairy, scowling gorilla, offers a bowl of applesauce and reverts bit by bit over a wordless spread as amity is restored. Aside from an early remark that papa “sounds like a mom when he sings in the bath,” there’s no sign of a second adult.
Reminiscent of Where the Wild Things Are in its visual transformations and emotional intensity, but with a more present and openly loving parent. (Picture book. 4-6)Pub Date: Aug. 1, 2012
ISBN: 978-1-55498-186-1
Page Count: 40
Publisher: Groundwood
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
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by Clint McElroy ; illustrated by Eliza Kinkz ‧ RELEASE DATE: March 29, 2022
Intended as an amusing parody, this groans with outdated irrelevance and immaturity.
While spending the day with Grandpa, young Goldie offers tips on the care and keeping of grandparents.
Though “loyal and loving,” Goldie’s grandfather proves to be quite a character. At Grandparents Day at school, his loud greeting and incessant flatulence are embarrassing, but Goldie is confident that he—and all grandparents—can be handled with the “right care and treatment.” The young narrator notes that playtime should involve the imagination rather than technology—“and NO video games. It’s just too much for them.” Goldie observes that grandparents “live on a diet of all the things your parents tell them are bad for them” but finds that Grandpa’s favorite fast-food restaurant does make for a great meal out. The narrator advises that it’s important for grandparents to get plenty of exercise; Grandpa’s favorite moves include “the Bump, the Hustle, and the Funky Chicken.” The first-person instruction and the artwork—drawn in a childlike scrawl—portray this grandfather in a funny, though unflattering, stereotypical light as he pulls quarters from Goldie’s ears, burps on command, and invites Goldie to pull his finger. Goldie’s grandfather seems out of touch with today’s more tech-savvy and health-oriented older people who are eager to participate with their grandchildren in contemporary activities. Though some grandparent readers may chuckle, kids may wonder how this mirrors their own relationships. Goldie and Grandpa are light-skinned; Goldie’s classmates are diverse. (This book was reviewed digitally.)
Intended as an amusing parody, this groans with outdated irrelevance and immaturity. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-1-250-24932-6
Page Count: 40
Publisher: First Second
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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by Andrea Cheng & illustrated by Ange Zhang ‧ RELEASE DATE: Oct. 1, 2000
Cheng’s story of a Chinese-speaking grandfather who comes to live with his daughter’s English-speaking family ably communicates the difficulties of the language barrier, and the unanticipated joys that come from working your way through that barrier. Helen is ambivalent about the arrival of her grandfather, Gong Gong, from China. She wants to know her grandfather, but she has had to surrender her room and her cherished view of the train tracks to him. Worst of all, he doesn’t understand what she says, and as she doesn’t understand him, he withdraws. Her mother says to give him some space and time. One day while Helen is sitting on the back wall, Gong Gong joins her, and together they count the train cars as the freight rumbles past. Contact. Helen learns the first eight numbers in Chinese and Gong Gong learns them in English. From there it is a short leap to Helen’s Chinese name and its Chinese characters, and then the letters used to spell Helen. That every journey starts with a first step is a commonplace conceit, but here the notion fits so snugly the point practically sings, and it feels like an adventurous beginning at that. Lushly colored artwork from Zhang is both elegant and captures the moods of tentativeness, surprise, and satisfaction. (Picture book. 4-6)
Pub Date: Oct. 1, 2000
ISBN: 1-58430-010-8
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
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