Erotica fans may be disappointed by this thinly plotted bodice ripper.
Sex and drugs—mostly sex—overpower a young fashion model’s luxurious lifestyle in this graphic tale of desire.
Katie Wolfer, a 24-year-old supermodel, abruptly flees a runway show in Paris when she receives the news that her mother has committed suicide. All that’s left of her family is her wealthy stepfather, Daniel, and her two stepsiblings. Returning to New York, she takes up residence with Daniel and his children in their extravagant Hamptons home. Hungry for pleasure, Katie shirks off mourning her mother in favor of her own libido, and she engages sexually with everyone from the handsome man beside her on her flight from Paris, to her stepsister, Caroline, to a pair of young peeping Toms in the Hamptons. Finding her life in flux, she pushes forward in pursuit of sex, flirting dangerously with how sexual prowess shapes her identity as a young woman. No erotic stone goes unturned in her escapades: Katie finds herself in situations ranging from sex in public to group sex to bondage. However, the most troublesome of all her yearnings is what she feels for her stepfather, Daniel—would sleeping with him validate her new, open-minded quest for pleasure or condemn her as someone who’s crossed a disturbing line? The feverish addition of drugs, glamour and money leads Katie to a definitive answer in the novel’s final pages. Jumping on the Fifty Shades of Grey bandwagon, this novel is packed with more sex than plot, as each chapter centers on a titillating and explicit sex scene. The sexual encounters tend to offer more pornography than passion, with a preference for cringe-worthy metaphors, including everything from “water snake” to “lollipop.” Katie’s brush with near incest seems gratuitous as the book struggles to up the ante on each chapter’s over-the-top escapade. While Katie occasionally reflects on how her reckless behavior affects her identity, her character is otherwise flat; readers learn more about her favorite designer miniskirt than her emotional landscape. The story is hellbent on showing an outrageous lifestyle, but the result is more confused discomfort than a compelling narrative about sexual expression.
Erotica fans may be disappointed by this thinly plotted bodice ripper.Pub Date: Nov. 8, 2012
ISBN: N/A
Page Count: 163
Publisher: CreateSpace
Review Posted Online: Jan. 18, 2013
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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