A young child explores the unlimited potential inherent in all humans.
“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.
More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)Pub Date: Sept. 15, 2019
ISBN: 978-1-946873-75-0
Page Count: 40
Publisher: Compendium
Review Posted Online: May 22, 2019
Kirkus Reviews Issue: June 15, 2019
Categories: CHILDREN'S GENERAL CHILDREN'S
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This book wants to be feminist.
Princess Penelope Pineapple, illustrated as a white girl with dark hair and eyes, is the Amelia Bloomer of the Pineapple Kingdom. She has dresses, but she prefers to wear pants as she engages in myriad activities ranging from yoga to gardening, from piloting a plane to hosting a science fair. When it’s time for the Pineapple Ball, she imagines wearing a sparkly pants outfit, but she worries about Grand Lady Busyboots’ disapproval: “ ‘Pants have no place on a lady!’ she’d say. / ‘That’s how it has been, and that’s how it shall stay.’ ” In a moment of seeming dissonance between the text and art, Penny seems to resolve to wear pants, but then she shows up to the ball in a gown. This apparent contradiction is resolved when the family cat, Miss Fussywiggles, falls from the castle into the moat and Princess Penelope saves her—after stripping off her gown to reveal pink, flowered swimming trunks and a matching top. Impressed, Grand Lady Busyboots resolves that princesses can henceforth wear whatever they wish. While seeing a princess as savior rather than damsel in distress may still seem novel, it seems a stretch to cast pants-wearing as a broadly contested contemporary American feminist issue. Guthrie and Oppenheim’s unimaginative, singsong rhyme is matched in subtlety by Byrne’s bright illustrations.
Skip it . (Picture book. 3-5)Pub Date: Sept. 12, 2017
ISBN: 978-1-4197-2603-3
Page Count: 32
Publisher: Abrams
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: July 15, 2017
Categories: CHILDREN'S GENERAL CHILDREN'S
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BOOK REVIEW
A mundane task fills with delicious thrills.
Lucy asks permission to play with her new red wagon, so mom agreeably sends her to market with it—but, hmm, “That sounded like a chore. Lucy didn’t want to do chores.” Never fear; this journey is anything but dull. Adroitly pairing innocently understated prose with pictures of simple but imaginative adventures, Liwska invites readers to giggle at Lucy’s impressive escapades that unfold entirely visually. When the rainy countryside becomes a roaring ocean, the wagon’s a sailboat riding cresting waves. The wagon also becomes a rocket ship, a train, a construction-site truck and a covered wagon. At the carnival/circus (market), “Lucy neatly loaded the wagon with vegetables from her list”—by juggling them with help from a trapeze flyer. The illustrator’s pencil work is nimble, her backgrounds airy and free, with hatched grasses for these child animals—cousins of her characters in Deborah Underwood’s Quiet Book (2010)—to romp in. The colors glow softly. Red wagon’s last role? The perfect nap-spot for a girl all played out.
A winner. (Picture book. 2-5)Pub Date: Feb. 1, 2011
ISBN: 978-0-399-25237-2
Page Count: 32
Publisher: Philomel
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
Categories: CHILDREN'S GENERAL CHILDREN'S
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