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SORRY, WRONG COUNTRY

A thoughtful and amusing look at a troubled nation’s soul.

A series of comic vignettes plumbs the cultural condition of contemporary Greece. 

Economically embattled, Greece is typically portrayed as a nation of hapless victims or adolescent derelicts. Debut author Paradias assembles a series of character portraits of the troubled modern nation with an ancient past that transcends that binary narrative. The political and fiscal dysfunction of the country is either a symptom or catalyst of extraordinary eccentricity; the author builds his short remembrances around colorfully quirky types. For example, Mister Shiftless solicited help building a special “orgone accumulator”—essentially a box filled with semiprecious stones—that he believed would cure his cancer after he’d masturbated within it. Mister Crawley was a devoted father and a disciple of Satan. Shady Senior tried to sell Paradias a house riddled with bullet holes. Sgt. Cynic casually explained how to navigate the labyrinthine bureaucracy of the Greek military. Father Woe was a priest his whole adult life, an experience that left him an atheist. The author also discusses some peculiar cultural aspects of Greek life, including its ambivalence about sexual education, its relationship with superstition and sorcery, and the way marketing pamphlets promising a better life express a paradoxical combination of popular discontent and resilient hopefulness. Paradias doesn’t try to provide much by way of concrete political analysis or policy recommendations—he does briefly lament the proliferation of leftists in government and the unwieldy size of the public sector. But this study is meant as a portal into the Greek ethos itself, not a white paper on its macroeconomic floundering. Paradias’ tableaux are consistently offbeat and often very funny, even more so if the stories are free of artistic embellishment, as he insists they are. Sometimes he fails to clearly draw the connection between the outlandish behavior and Greek society—surely other nations are whimsically kooky as well. Overall, though, he provides a welcome counterpoint to an increasingly stale debate about the future of Greece. The author’s final appraisal isn’t bleak—Greece has suffered much in its long history and has survived—but it isn’t cheery either: “Nothing too fundamental is going to change. Every single thing written in this book, all the aching and the weirdness and the sex and the death, they’re going to still be around, reminding us of our humanity.”

A thoughtful and amusing look at a troubled nation’s soul. 

Pub Date: April 14, 2017

ISBN: 978-1-946335-07-4

Page Count: 204

Publisher: Rooster Republic Press

Review Posted Online: May 19, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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