A memorable collection that, although occasionally predictable, sheds light on a little-explored section of America.

THE BOXFORD STORIES

A SHORT STORY COLLECTION

In this debut collection of short stories, Carson explores the daily lives, loves and frustrations of two tight-knit Mormon families in 1970s Maryland.

The first story of the collection, “The Gilded Door,” introduces the small town of Boxford in 1974. When the local theater begins showing XXX-rated movies, the local Mormon ladies are shocked. They decide to present wholesome entertainment two days a month to prove to the theater’s owner that he can make money without showing porno; however, as Ada Runyon discovers, few things are more predictable than carnal desire. The next story, “ ’Atta Boy” (which won the 2006 Association for Mormon Letters’ award for short fiction), follows Latham, Ada’s husband, a history professor who longs to be the next president of the local Mormon church. Latham spends a day wringing his hands and waiting for the phone call that will change his life, but he discovers nothing more than bitterness and the realization of his own inadequacy. Although these two stories present a multifaceted view of what it means to be Mormon, they don’t quite do justice to the rest of the collection. They present a much more simplistic view of Mormons vs. non-Mormons than the other stories, which use ambiguity to their advantage. Standouts include “Gypsy Holiday,” in which Ada’s anxiety over family friends not coming to Thanksgiving devolves into a stark admission of her loneliness and inability to connect with outsiders; “A Little Five-Minute Thrown-Together Something,” which lays bare the squirming insecurities of teenage crushes; and “Flirting Lessons,” which sees Ada’s teenage daughter, Ginni, taking a cross-country road trip with two friends that leads to panic when one goes missing. These stories are unexpected in their subtlety as they explore the reality of what it means to be Mormon—and human. From Ada—who notices that her friend Ruthalin is “reaching the huge-and-miserable stage weeks earlier with baby #10 than she had back with baby #6”—to Latham, who knows he’s stereotyped as “Joe Mormon,” to the young woman who doesn’t “want to be caught fussing with her hair, since she’d figured out, by now, that she was not the kind of person anybody would want to look at,” the characters here must confront the unhappiness and disappointment of life as well as their own uncertain feelings toward their faith.

A memorable collection that, although occasionally predictable, sheds light on a little-explored section of America.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Ribbon Wand Press

Review Posted Online: Oct. 20, 2014

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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